Portal de Periódicos da CAPES

Kiss the Baby Goodbye: "Kowhaiwhai" and Aesthetics in Aotearoa New Zealand

1995; University of Chicago Press; Volume: 22; Issue: 1 Linguagem: Inglês

10.1086/448783

1539-7858

Nicholas Thomas,

Island Studies and Pacific Affairs

Previous articleNext article No AccessKiss the Baby Goodbye: "Kowhaiwhai" and Aesthetics in Aotearoa New ZealandNicholas ThomasNicholas ThomasPDFPDF PLUS Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinkedInRedditEmail SectionsMoreDetailsFiguresReferencesCited by Critical Inquiry Volume 22, Number 1Autumn, 1995 Article DOIhttps://doi.org/10.1086/448783 Views: 71Total views on this site Citations: 35Citations are reported from Crossref Copyright 1994 The University of ChicagoPDF download Crossref reports the following articles citing this article:José Manuel Barros García Political artefacts, aesthetics and heritage: the Valley of the Fallen, International Journal of Heritage Studies 26, no.33 (May 2019): 253–266.https://doi.org/10.1080/13527258.2019.1620834Marie Durand Thinking through houses: The materiality of kitchen houses and histri on Mere Lava, Vanuatu, Journal of Material Culture 21, no.22 (Jun 2016): 253–273.https://doi.org/10.1177/1359183515601452Jessica Christine Lai Chapter 2 Māori Culture in the Contemporary World, (Nov 2013): 11–58.https://doi.org/10.1007/978-3-319-02955-9_2 Introduction, (Jan 2013): 1–23.https://doi.org/10.1215/9780822399704-001 Mapping the Terrain, (Jan 2013): 25–43.https://doi.org/10.1215/9780822399704-002 Indigeneity and Law in the Pacific, (Jan 2013): 45–60.https://doi.org/10.1215/9780822399704-003 Copyright in Context, (Jan 2013): 61–88.https://doi.org/10.1215/9780822399704-004 Trademarking Māori, (Jan 2013): 89–120.https://doi.org/10.1215/9780822399704-005 Pacific Museology and Indigenous Property Theory, (Jan 2013): 121–150.https://doi.org/10.1215/9780822399704-006 Treasured Commodities, (Jan 2013): 151–174.https://doi.org/10.1215/9780822399704-007 Pig Banks, (Jan 2013): 175–206.https://doi.org/10.1215/9780822399704-008 Conclusion, (Jan 2013): 207–215.https://doi.org/10.1215/9780822399704-009 Notes, (Jan 2013): 217–247.https://doi.org/10.1215/9780822399704-010 References, (Jan 2013): 249–281.https://doi.org/10.1215/9780822399704-011Nicholas Thomas La sculpture maorie et l'histoire coloniale, L'Homme , no.203-204203-204 (Dec 2012): 347–367.https://doi.org/10.4000/lhomme.23217LORRAINE V. ARAGON, JAMES LEACH Arts and owners: Intellectual property law and the politics of scale in Indonesian arts, American Ethnologist 35, no.44 (Nov 2008): 607–631.https://doi.org/10.1111/j.1548-1425.2008.00101.xNeriko Musha Doerr GLOBAL STRUCTURES OF COMMON DIFFERENCE, CULTURAL OBJECTIFICATION, AND THEIR SUBVERSIONS: CULTURAL POLITICS IN AN AOTEAROA/NEW ZEALAND SCHOOL, Identities 15, no.44 (Jul 2008): 413–436.https://doi.org/10.1080/10702890802201719Jeffrey Sissons From Post to Pillar, Journal of Material Culture 12, no.11 (Aug 2016): 47–63.https://doi.org/10.1177/1359183507074561Jennifer Kramer Figurative Repatriation, Journal of Material Culture 9, no.22 (Jul 2004): 161–182.https://doi.org/10.1177/1359183504044370Stephen Pritchard An Essential Marking, Theory, Culture & Society 18, no.44 (Aug 2001): 27–45.https://doi.org/10.1177/02632760122051869Stephen Pritchard Essence, Identity, Signature: Tattoos and Cultural Property, Social Semiotics 10, no.33 (Dec 2000): 331–346.https://doi.org/10.1080/10350330050136389Mark A. Reid A few black keys and Maori tattoos: Re‐reading Jane Campion's the piano in PostNegritude time, Quarterly Review of Film and Video 17, no.22 (Jun 2000): 107–116.https://doi.org/10.1080/10509200009361484 Queering the Deal, (Jan 1999): 23–45.https://doi.org/10.1215/9780822379157-002 The Queer Aesthete, the Diva, and The Red Shoes, (Jan 1999): 46–71.https://doi.org/10.1215/9780822379157-003 Rear Window's Glasshole, (Jan 1999): 72–96.https://doi.org/10.1215/9780822379157-004 Visual Pleasure in 1959, (Jan 1999): 97–125.https://doi.org/10.1215/9780822379157-005 Cassandra's Eyes, (Jan 1999): 129–150.https://doi.org/10.1215/9780822379157-006 "That Ain't All She Ain't", (Jan 1999): 151–182.https://doi.org/10.1215/9780822379157-007Ellis Hanson , ( 1999): 183.https://doi.org/10.1215/9780822379157-008 Heavenly Creatures in Godzone, (Jan 1999): 223–240.https://doi.org/10.1215/9780822379157-009 White Neurotics, Black Primitives, and the Queer Matrix of Borderline, (Jan 1999): 243–270.https://doi.org/10.1215/9780822379157-010 Scandalous! Kenneth Anger and the Prohibitions of Hollywood History, (Jan 1999): 271–287.https://doi.org/10.1215/9780822379157-011 Queer Period, (Jan 1999): 288–315.https://doi.org/10.1215/9780822379157-012 Forbidden Love, (Jan 1999): 316–345.https://doi.org/10.1215/9780822379157-013 Bibliography, (Jan 1999): 347–355.https://doi.org/10.1215/9780822379157-014