Review of 'Le Corbusier: Art and Architecture - a Life of Creativity'
2008; Taylor & Francis; Volume: 13; Issue: 6 Linguagem: Inglês
10.1080/13602360802573900
ISSN1466-4410
Autores Tópico(s)Architecture, Modernity, and Design
ResumoClick to increase image sizeClick to decrease image size Notes Alan Colquhoun, ‘The Le Corbusier Centenary’, Journal of the Society of Architectural Historians, Volume XLIX (March, 1990), pp. 96–122. Jacques Lucan, ed., Le Corbusier, Une Encyclopédie (Paris, Éditions du Centre Georges Pompidou, 1987). Arts Council of Great Britain, Le Corbusier, Architect of the Century (London, Arts Council of Great Britain, 1987). Barbara Mazza, Le Corbusier e la Fotografia (Florence, Firenze University Press, 2002). Catherine de Smet, Vers une architecture du livre : Le Corbusier, édition et mise en pages 1912–1965 (Baden , Lars Müller Publishers, 2007). Daniel Naegele, Le Corbusier's Seeing Things : Ambiguity and Illusion in the Representation of Modern Architecture (Ann Arbor, UM Dissertation Services, 1996). See also Daniel Naegele, ‘Le Corbusier and the Space of Photography: Photograph-murals, Pavilions and Multi-media spectacles’, History of Photography, Vol. 22, No. 2 (Summer, 1998), pp. 127–138) ; Daniel Naegele, ‘An Interview with Ezra Stoller’, History of Photography, Vol. 22, No. 2 (Summer, 1998), pp. 105–115, p. 114; Daniel Naegele, ‘An Interview with Lucien Hervé (1992)’, Parametro: Rivista Internazionale di Architettura e Urbanistica, No. 206 (January–February, 1995), pp. 73–83 ; Daniel Naegele, ‘Savoye Space: The Sensation of the Object’, Harvard Design Magazine, Number 15 (Autumn, 2001), pp. 1–10, pp. 9–10. Danilo Udovicki-Selb, ‘Le Corbusier and the Paris Exhibition of 1937: The Temps Nouveaux Pavilion’, The Journal of the Society of Architectural Historians, Vol. 56, No. 1 (March, 1997), pp. 42–63. Colin Rowe, ‘The Mathematics of the Ideal Villa,’ in The Mathematics of the Ideal Villa and Other Essays (Cambridge, Mass., The MIT Press, 1976), pp. 2–27, p. 15. Emil Kaufmann, Von Ledoux bis Le Corbusier: Ursprung und Entwicklung der Autonomen Architektur (Vienna and Leipzig, Passer, 1933). Yamana Yoshiyuki, ‘Purist Paintings and Le Corbusier's Four White Villas’, in, Nanjo Fumio, Hirose Mami, Tagomon Miho, eds, Le Corbusier: Art and Architecture — A Life of Creativity (Tokyo, Mori Art Museum, 2007), pp. 356–360, p. 360. Leo Steinberg, Borromini's San Carlo Alle Quattro Fontane: A Study in Multiple Form and Architectural Symbolism (New York, Garland Publishing, Inc., 1977), p. 444. Gérard Genette, Seuils (Paris, Éditions du Seuil, 1994). See, for example, Jean-Noël Ferrié and Gilles Boëtsch, ‘Contre Alloula : Le « Harem Colonial » Revisité’, in, Gilbert Baugé et Jean-François Clément, L'Image dans le Monde Arabe (Paris, CNRS Éditons, 1995), pp. 299–304; Michal Hatt and Charlotte Klonk, Art History: a critical introduction to its methods (Manchester and New York, Manchester University Press, 2006); Seth Graebner, History's Place: Nostalgia and the City in French Algerian Literature (Plymouth, Lexington Books, 2007); Victoria Thompson, ‘“I went Pale with Pleasure” ‘, in Patricia M. E. Lorcin, Algeria & France: 1800–2000 (Syracuse, New York, Syracuse University Press, 2006), pp. 18–32, etc. Alan Colquhoun, ‘The Le Corbusier Centenary’, op. cit., pp. 96–122. Richard Shiff, Cézanne and the End of Impressionism: A Study of the Theory, Technique, and Critical Evaluation of Modern Art (Chicago and London, University of Chicago Press, 1984). Michael Leja, Reframing Abstract Expressionism (New Haven and London, Yale University Press, 1993). Reyner Banham, Theory and Design in the First Machine Age (London, The Architectural Press, 1960), p. 220.
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