Tina Theory: Notes on Fierceness
2012; Wiley; Volume: 24; Issue: 1 Linguagem: Inglês
10.1111/j.1533-1598.2011.01317.x
ISSN1533-1598
Autores Tópico(s)Theater, Performance, and Music History
ResumoJournal of Popular Music StudiesVolume 24, Issue 1 p. 71-86 Tina Theory: Notes on Fierceness Madison Moore, Madison Moore Yale UniversitySearch for more papers by this author Madison Moore, Madison Moore Yale UniversitySearch for more papers by this author First published: 23 March 2012 https://doi.org/10.1111/j.1533-1598.2011.01317.xCitations: 8Read the full textAboutPDF ToolsRequest permissionExport citationAdd to favoritesTrack citation ShareShare Give accessShare full text accessShare full-text accessPlease review our Terms and Conditions of Use and check box below to share full-text version of article.I have read and accept the Wiley Online Library Terms and Conditions of UseShareable LinkUse the link below to share a full-text version of this article with your friends and colleagues. Learn more.Copy URL Share a linkShare onEmailFacebookTwitterLinkedInRedditWechat Works Cited Bego, Mark. Tina Turner: Break Every Rule. Lanham , MD : Taylor Trade Publishing, 2003. Brooks, Daphne. Bodies in Dissent: Spectacular Performances of Race and Freedom, 1850–1910. Durham , NC : Duke UP, 2006. Anne Anlin Cheng, “Shine: On Race, Glamour, and the Modern,” PMLA 126.4 (October 2011). Craig, Maxine Leeds. Ain't I A Beauty Queen: Black Women, Beauty, and the Politics of Race. New York : Oxford University Press, 2002. Debord, Guy. The Society of the Spectacle. New York : Zone Books, 1995. Doty, Alexander. There's Something About Mary,” Camera Obscura 22.2 65 (2007). Fleetwood, Nicole. Troubling Vision: Performance, Visuality, and Blackness. Chicago : University of Chicago Press, 2011. “Ike and Tina Turner,” Rolling Stone, 1967. Jackson, Buzzy. A Bad Woman Feeling Good: Blues and the Women Who Sing Them. New York : W. W. Norton, 2005. McNulty, Henry. Ike, Tina Take You Higher; Paul Gently Cools You Down,” The Hartford Courant. 14 August 1971. Miller, Monica. Slaves to Fashion: Black Dandyism and the Styling of Black Diasporic Identity. Durham , NC : Duke University Press, 2009. Murphy, Michael. Maxine Powell Buffed Motown's Rough Edges, Detroit Metro Times. 1 October 2003. Neal, Mark Anthony. What the Music Said: Black Popular Music and Black Public Culture. New York : Routledge, 1998. Perrone, Pierre. ‘Tina Turner shot my song into the stratosphere’: The 5-Minute Interview,” The Independent ( London ). 29 June 2006. Powell, Richard. Cutting A Figure: Fashioning Black Portraiture. Chicago : University of Chicago Press, 2009. Roach, Joseph. It. Ann Arbor : University of Michigan Press, 2007. Royster, Francesca. Becoming Cleopatra: The Shifting Image of an Icon. New York : Palgrave Macmillan, 2003. ———. “Nice and Rough: The Promise of privacy in Tina Turner's ‘What's Love Got To Do With It’ and I, Tina,” Performance Research: A Journal of the Performing Arts 12.3 (2007) 103–113. Turner, Tina. I, Tina. New York : Avon, 1987. Citing Literature Volume24, Issue1March 2012Pages 71-86 ReferencesRelatedInformation
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