“The Jekyll and Hyde of the Atomic Age”: The Incredible Hulk as the Ambiguous Embodiment of Nuclear Power
2010; Wiley; Volume: 43; Issue: 2 Linguagem: Inglês
10.1111/j.1540-5931.2010.00740.x
ISSN1540-5931
Autores Tópico(s)Digital Games and Media
ResumoThe Journal of Popular CultureVolume 43, Issue 2 p. 249-270 “The Jekyll and Hyde of the Atomic Age”: The Incredible Hulk as the Ambiguous Embodiment of Nuclear Power ADAM CAPITANIO, ADAM CAPITANIO Michigan State UniversitySearch for more papers by this author ADAM CAPITANIO, ADAM CAPITANIO Michigan State UniversitySearch for more papers by this author First published: 05 April 2010 https://doi.org/10.1111/j.1540-5931.2010.00740.xCitations: 3Read the full textAboutPDF ToolsRequest permissionExport citationAdd to favoritesTrack citation ShareShare Give accessShare full text accessShare full-text accessPlease review our Terms and Conditions of Use and check box below to share full-text version of article.I have read and accept the Wiley Online Library Terms and Conditions of UseShareable LinkUse the link below to share a full-text version of this article with your friends and colleagues. Learn more.Copy URL Works Cited Boyer, Paul. By the Bomb's Early Light: American Thought and Culture at the Dawn of the Atomic Age. Chapel Hill: U of North Carolina P, 1994. David, Peter, writer. Art by Sam Keith. Gray tones by Kelley Jones. “Natural Selection.”The Incredible Hulk# 368 (April 1990), Marvel Comics. Gaddis, John Lewis. We Now Know: Rethinking Cold War History. Oxford: Oxford UP, 1997. Geduld, Harry M. Introduction. The Definitive Dr. Jekyll and Mr. Hyde Companion. New York: Garland Publishing, Inc., 1983. Genter, Robert. ‘With Great Power Comes Great Responsibility’: Cold War Culture and the Birth of Marvel Comics. The Journal of Popular Culture 40.6 (2007): 953– 78. Halberstam, Judith. Skin Shows: Gothic Horror and the Technology of Monsters. Durham, NC: Duke UP, 1995. Hughes, Thomas. American Genesis: A Century of Invention and Technological Enthusiasm, 1870–1970. Chicago: U of Chicago P, 1989. Lee, Stan, writer. Art by Jack Kirby. “The Hulk.”The Incredible Hulk#1 (May 1962), Marvel Comics. Lee, Stan. writer. Art by Jack Kirby. “The Terror of the Toad Men.”The Incredible Hulk#2 ( July 1962), Marvel Comics. Lee, Stan. writer. Art by Jack Kirby. “The Gladiator from Outer Space!”The Incredible Hulk#4 (November 1962), Marvel Comics. Lee, Stan. writer. Art by Steve Ditko. “The Incredible Hulk vs. the Metal Master.”The Incredible Hulk# 6 (March 1963), Marvel Comics. Lee, Stan. writer. Art by Jack Kirby and Dick Ayers. “Beauty and the Beast!”The Incredible Hulk#5 ( January 1963), Marvel Comics. MacCannell, Dean. Baltimore in the Morning … After: On the Forms of Post-Nuclear Leadership. Diacritics 14.2 (1984): 33– 46. Murray, Will. Stan Lee Looks Back: The Comics Legend Recalls Life with Jack Kirby, Steve Ditko, and Heroes. Stan Lee Conversations. Ed. Jeff McLaughlin. Jackson: U of Mississippi P, 2007. 174– 87. Reid, Julia. Stevenson, Romance, and Evolutionary Psychology. Robert Louis Stevenson, Writer of Boundaries. Eds. Richard Ambrosini and Richard Dury. Madison: U of Wisconsin P, 2006. 215– 27. Seavey, John.“John Seavey's Storytelling Engines.” 3 Jan. 2007. 10 Mar. 2008 〈http://goodcomics.comicbookresources.com/category/storytelling-engines/〉. Stevenson, Robert Louis. The Strange Case of Dr. Jekyll and Mr. Hyde. Toronto: Bantam Books, 1985 (1886). Szasz, Ferenc M., and Issei Takechi. Atomic Heroes and Atomic Monsters: American and Japanese Cartoonists Confront the Onset of the Nuclear Age, 1945–80. The Historian 69.4 (2007): 728– 52. Wright, Bradford W. Comic Book Nation: The Transformation of Youth Culture in America. Baltimore: John Hopkins UP, 2001. Citing Literature Volume43, Issue2April 2010Pages 249-270 ReferencesRelatedInformation
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