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Shakespeare and the Modern Dramatist.

1992; Oxford University Press; Volume: 43; Issue: 3 Linguagem: Inglês

10.2307/2870537

1538-3555

Jill L. Levenson, Michael Scott,

Shakespeare, Adaptation, and Literary Criticism

Introduction - re-interpreting Shakespeare parasitic comedy - Tom Stoppard, Rosencrantz and Guildenstern are Dead a divergent view of human nature - Edward Bond, Bingo and Lear demythologizing Shylock - Arnold Wesker, Merchant, Charles Marowitz, Variations on The Merchant of Venice frustrating dramatic structure - Samuel Beckett, Waiting for Godot and Endgame modern morality plays - Eugene Ionesco, Exit the King and Macbeth the Jacobean Pinter - Homecoming theatrical discontinuity - Charles Marowitz, Shrew, An Othello, Collage, Hamlet postscript - the modernized Bard.