The Last Slave (2007): The Genealogy of a British Television History Programme
2009; Routledge; Volume: 29; Issue: 3 Linguagem: Inglês
10.1080/01439680903145629
ISSN1465-3451
Autores Tópico(s)Philippine History and Culture
ResumoClick to increase image sizeClick to decrease image size Notes Notes 1. Erin Bell and Ann Gray, History on television: charisma, narrative and knowledge, in: Helen Wheatley (ed.), Re-Viewing Television History (London, I.B. Tauris, 2007). 2. Bell and Gray; see also John Corner, Backward looks: mediating the past, Media Culture & Society, 28(3) (2006), 466–472. 3. Bell and Gray, op. cit. 4. Ross Wilson, Remembering to forget?—The BBC Abolition Season and media memory of Britain's transatlantic slave trade, Historical Journal of Film, Radio and Television, 28(3) (2008), 391–403. 5. Colin McArthur, Television and History (London, BFI, 1978). 6. Jerry Kuehl, quoted in McArthur, 1978. 7. The Last Slave, C4, 11 March 2007. 8. The Crimean War, C4, November–December 1997. 9. The Civil War, PBS, 1990. 10. Timewatch: The Projection Racket, BBC2, 5 November 1995. 11. Mary Seacole: The Real Angel of the Crimea, C4, June 2005. 12. Samuel Johnson: The Dictionary Man, BBC4, 26 June 2006. 13. Marilyn on Marilyn, BBC2, 28 December 2001. 14. Hidden History, BBC Knowledge, September 2000. 15. Simon Cottle, Producing natures: on the changing production ecology of natural history TV, Media, Culture and Society, 26(1) (2004), 81–101. 16. John Corner, op. cit. 17. Hugh Crow, The Memoirs of Captain Hugh Crow: the life and times of a slave trade captain (Bodleian Library, Oxford, 2007). 18. The Trans-Atlantic Slave Trade Database, CD-Rom, Cambridge University Press. 19. Amazing Grace, 2007. 20. Wilma De Jong, The idea that there's a truth that you discover is like chasing the end of the rainbow: an interview with Ralph Lee, in: Thomas Austin and Wilma de Jong (eds), Rethinking Documentary (Maidenhead, Open University Press, 2008). 21. John Ellis, Documentary and truth on television: the crisis of 1999, in: Alan Rosenthal and John Corner (eds), New Challenges for Documentary (Manchester, University of Manchester Press, 2005). 22. John A. Aarons, The Bulletin of the Jamaica Historical Society 7(3–4) (September–December 1977). 23. Angelo Costanzo, The narrative of Archibald Monteith, a Jamaican slave, Callaloo 13 (1995) 115–130; Monteith's memoir was itself also published in the same issue (Callaloo, 102–114); Angelo Costanzo, A living slave narrative, Contours 1 (2003), 2. 24. John Ellis, op. cit. (2005). 25. Daily Mail, 5 February 1999. 26. Emma Hanna, Reality–experiential history documentaries: The Trench (BBC, 2002) and Britain's modern memory of the First World War, The Historical Journal of Film, Radio and Television, 27(4) (October 2007), 531–547. 27. John Corner, op. cit. 28. John Ellis, Seeing Things: television in the age of uncertainty (London, I.B. Tauris, 2000/2002). 29. Sarita Malik, ‘Keeping it real’: the politics of Channel 4's multiculturalism, mainstreaming and mandates, Screen, 49(3) (2008), 343–353. 30. Emma Hanna, op. cit. 31. James Bennett and Amy Holdsworth, Performing personality as emotion and authenticity in Who Do You Think You Are?, Critical Studies in Television. 32. Charlotte Brunsdon, Catherine Johnson, Rachel Moseley and Helen Wheatley, Factual entertainment on British television: the Midlands Television Research Groups 8–9 project, European Journal of Cultural Studies, 4 (1) (2001), 29–62. 33. Henry Louis Gates, Jr (ed.), The Classic Slave Narratives (Signet Classics, 2002). 34. John Corner, Framework, 43(1) (2002), 96. 35. Paul Kerr, Thinking outside the box, Screen 49(3) (2008), 316–323.
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