Portal de Periódicos da CAPES

The Functions of Lyrics in Music Video

2002; Wiley; Volume: 14; Issue: 1 Linguagem: Inglês

10.1111/j.1533-1598.2002.tb00034.x

1533-1598

Carol Vernallis,

Asian Culture and Media Studies

Journal of Popular Music StudiesVolume 14, Issue 1 p. 11-31 The Functions of Lyrics in Music Video Carol Vernallis, Carol Vernallis University of Northern IowaSearch for more papers by this author Carol Vernallis, Carol Vernallis University of Northern IowaSearch for more papers by this author First published: 26 August 2006 https://doi.org/10.1111/j.1533-1598.2002.tb00034.xCitations: 2AboutPDF ToolsRequest permissionExport citationAdd to favoritesTrack citation ShareShare Give accessShare full text accessShare full-text accessPlease review our Terms and Conditions of Use and check box below to share full-text version of article.I have read and accept the Wiley Online Library Terms and Conditions of UseShareable LinkUse the link below to share a full-text version of this article with your friends and colleagues. Learn more.Copy URL Share a linkShare onEmailFacebookTwitterLinkedInRedditWechat WORKS CITED Austin, J. L. 1962. Sense and Sensibilia. New York : Oxford University Press. Google Scholar Cook, Nicholas. 1998. Analysing Musical Multimedia. New York : Oxford University Press. Google Scholar Frith, Simon. 1996. Performing on the Value of Popular Music Rites. Cambridge, MA: Harvard University Press. Google Scholar Goodwin, Andrew. 1992. Dancing in the Distraction Factory: Music, Television and Popular Culture. Minneapolis : University of Minnesota Press. Google Scholar Gorbman, Claudia. 1987. Unheard Melodies: Narrative Film Music. Bloomington : Indiana University Press. Google Scholar Hanslick, Edvard. 1957. The Beautiful in Music: Vom Musikalisch-Schonen, translated by Gustav Cohen. New York : New York Liberal Arts Press. Google Scholar Hamm, Charles. 1997. Irving Berlin. New York : Oxford University Press. Google Scholar Hennion, Antoine. 1983. “ The Production of Success: An Anti-Musicology of the Pop Song. Popular Music (3): 159–193. Google Scholar Kivy, Peter. 1980. The Corded Shell: Reflections on Musical Expression. Princeton, NJ: Princeton University Press. Google Scholar Kivy, Peter. 1989. Sound Sentiment: An Essay on the Musical Emotions, Including the Complete Text of the Corded Shell. Philadelphia : Temple University Press. Google Scholar Kramer, Lawrence. 1984. Music and Poetry. Berkeley : University of California Press. Google Scholar Langer, Susanne K. 1953. Feeling and Form. New York : Scribner's. Google Scholar Mercer, Kobena. 1993. “ Monster Metaphors: Notes on Michael Jackson's Thriller.” in Simon Frith, Andrew Goodwin, and Lawrence Grossbergaeds, Sound and Vision: The Music Video Reader, pp. 93–108. New York : Routledge. Web of Science®Google Scholar Middleton, Richard. 1990. Studying Popular Music. Philadelphia : Open University Press. Google Scholar Vernallis, Carol. in press. Experiencing Music Video: Aesthetics and Cultural Context. New York : Columbia University Press. Google Scholar Citing Literature Volume14, Issue1March 2002Pages 11-31 ReferencesRelatedInformation