“Black Bart” Simpson: Appropriation and Revitalization in Commodity Culture 1
1993; Wiley; Volume: 27; Issue: 1 Linguagem: Inglês
10.1111/j.0022-3840.1993.00125.x
ISSN1540-5931
Autores Tópico(s)Music History and Culture
ResumoThe Journal of Popular CultureVolume 27, Issue 1 p. 125-142 “Black Bart” Simpson: Appropriation and Revitalization in Commodity Culture1 Peter Parisi, Peter Parisi Peter Parisi teaches at Penn State, Harrisburg.Search for more papers by this author Peter Parisi, Peter Parisi Peter Parisi teaches at Penn State, Harrisburg.Search for more papers by this author First published: Summer 1993 https://doi.org/10.1111/j.0022-3840.1993.00125.xCitations: 7 1 This paper was originally delivered at the 1991 annual meeting of the Popular Culture Association. For their helpful comments on versions of this essay, the author wishes to thank Simon Bronner, Gary Daily, Clemmie Gilpin, Charles Keil, Suren Lalvani and William Mahar. Craig Smith provided valuable information on T-shirt production. AboutRelatedInformationPDFPDF ToolsRequest permissionExport citationAdd to favoritesTrack citation ShareShare Give accessShare full text accessClose modalShare full-text accessPlease review our Terms and Conditions of Use and check box below to share full-text version of article.I have read and accept the Wiley Online Library Terms and Conditions of UseShareable LinkUse the link below to share a full-text version of this article with your friends and colleagues. Learn more.Copy URL Share a linkShare onFacebookTwitterLinkedInRedditWechat Citing Literature Volume27, Issue1Summer 1993Pages 125-142 RelatedInformation
Referência(s)