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Stanley Kubrick and the Aesthetics of the Grotesque

2006; University of California Press; Volume: 60; Issue: 1 Linguagem: Inglês

10.1525/fq.2006.60.1.4

1533-8630

James Naremore,

Cinema and Media Studies

ABSTRACT “The grotesque,” which became a stylistic term in the Italian renaissance and later contributed significantly to all forms of modernist art, can help us better understand the so-called “coldness” often attributed to Stanley Kubrick's films. The whole of Kubrick's art is designed to produce a grotesque clash of emotions, an unstable blending of humor and terror that derives ultimately from anxieties about the human body.