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On the Nature of Photography

1974; University of Chicago Press; Volume: 1; Issue: 1 Linguagem: Inglês

10.1086/447782

1539-7858

Rudolf Arnheim,

Digital Media and Philosophy

Previous articleNext article No AccessOn the Nature of PhotographyRudolf ArnheimRudolf ArnheimPDFPDF PLUS Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinkedInRedditEmail SectionsMoreDetailsFiguresReferencesCited by Critical Inquiry Volume 1, Number 1Sep., 1974 Article DOIhttps://doi.org/10.1086/447782 Views: 84Total views on this site Citations: 27Citations are reported from Crossref Copyright 1974 The University of ChicagoPDF download Crossref reports the following articles citing this article:Stella Fatović-Ferenčić, Martin Kuhar "We Live in a Wagon Never Going Anywhere:" The Representations of Housing Conditions and Tuberculosis in Zagreb between the Two World Wars, Photography and Culture 15, no.22 (Mar 2022): 109–128.https://doi.org/10.1080/17514517.2022.2037838Avy Dwight Hemy, Assaf Meshulam 'Shooting your voice': challenging power relations at school through Photovoice, Discourse: Studies in the Cultural Politics of Education 13 (Jun 2021): 1–17.https://doi.org/10.1080/01596306.2021.1937944Koray Değirmenci Photographic Images in the Digital Era, (Oct 2021): 515–532.https://doi.org/10.1007/978-3-030-71830-5_31Joan M. Schwartz "Working Objects in Their Own Time", (Aug 2020): 513–529.https://doi.org/10.4324/9781003103974-37Caitlin Candice Ferreira, Jeandri Robertson, Marnell Kirsten The truth (as I see it): philosophical considerations influencing a typology of fake news, Journal of Product & Brand Management 29, no.22 (May 2019): 150–158.https://doi.org/10.1108/JPBM-12-2018-2149Nieves Limón Serrano Frida Kahlo's Photographic Posing: A Theoretical Approach to Visual Autobiographies, Journal of Latin American Cultural Studies 28, no.22 (Jun 2019): 277–290.https://doi.org/10.1080/13569325.2019.1619540 Rutherford Is this photograph taken? The active (act of) collaboration with photography, Journal of Visual Art Practice 18, no.11 (Jul 2018): 37–63.https://doi.org/10.1080/14702029.2018.1488927Yuliia Petruk Ambivalation of the Author's role in a photographic image, NaUKMA Research Papers in Philosophy and Religious Studies 2, no.00 (Dec 2018): 17–25.https://doi.org/10.18523/2617-16782153211Yihui Huang Artist 1, (Oct 2018): 9–24.https://doi.org/10.4324/9781315195513-2Yihui Huang Artist 7, (Oct 2018): 81–88.https://doi.org/10.4324/9781315195513-8Sungkyung Lee Market Modernization and the Sense of Place Lost in Transformation, (May 2018): 111–123.https://doi.org/10.1007/978-3-319-72311-2_6M.L. Allen, E. Armitage How Children Learn to Navigate the Symbolic World of Pictures, (Jan 2017): 153–184.https://doi.org/10.1016/bs.acdb.2016.10.004Russell L. Johnson , American Nineteenth Century History 18, no.22 ( 2017): 131.https://doi.org/10.1080/14664658.2017.1324595Koray Değirmenci Photography as unconcealment: revisiting the idea of photographic transparency, South African Journal of Philosophy 34, no.22 (Jun 2015): 255–264.https://doi.org/10.1080/02580136.2015.1046210Koray DEĞİRMENCİ Fotoğrafta Alan Derinliği, Belirtisellik ve Temsil İlişkisi Üzerine, Dokuz Eylül Üniversitesi Güzel Sanatlar Fakültesi Dergisi 13, no.1313 (Jan 2015): 1.https://doi.org/10.17484/yedi.37975Rafe McGregor A New/Old Ontology of Film, Film-Philosophy 17, no.11 (Dec 2013): 265–280.https://doi.org/10.3366/film.2013.0015Bruce Evan Farnsworth Conservation photography as environmental education: focus on the pedagogues, Environmental Education Research 17, no.66 (Dec 2011): 769–787.https://doi.org/10.1080/13504622.2011.618627Yi-Hui Huang Understanding Digital-Synthesized Photographs through Theories of Knowledge: A Case Study of Tom Bamberger's Cultured Landscapes, Art Education 64, no.55 (Nov 2015): 35–42.https://doi.org/10.1080/00043125.2011.11519142Greg Hainge Unfixing the photographic image: Photography, indexicality, fidelity and normativity, Continuum 22, no.55 (Aug 2010): 715–730.https://doi.org/10.1080/10304310802311659Elton G. McGoun, Mark S. Bettner, Michael P. Coyne Pedagogic metaphors and the nature of accounting signification, Critical Perspectives on Accounting 18, no.22 (Feb 2007): 213–230.https://doi.org/10.1016/j.cpa.2005.12.003Jonathan Friday Andre Bazin's Ontology of Photographic and Film Imagery, Journal of Aesthetics and Art Criticism 63, no.44 (Sep 2005): 339–350.https://doi.org/10.1111/j.0021-8529.2005.00216.xHans-Diether Dörfler Das fotografische Zeichen, (Jan 2002): 11–52.https://doi.org/10.1007/978-3-663-10085-0_1Harry Beilin Understanding the photographic image, Journal of Applied Developmental Psychology 20, no.11 (Jan 1999): 1–30.https://doi.org/10.1016/S0193-3973(99)80001-XJudith Fryer Women's Camera Work: Seven Propositions in Search of a Theory, Prospects 16 (Jul 2009): 57–117.https://doi.org/10.1017/S036123330000449XLaura Wexler Black and White and Color: American Photographs at the Turn of the Century, Prospects 13 (Jul 2009): 341–390.https://doi.org/10.1017/S0361233300006785Laura Wexler Black and White and Color: American Photographs at the Turn of the Century, Prospects 13 (Jul 2009): 341–390.https://doi.org/10.1017/S0361233300005330Stanley Milgram The image-freezing machine, Society 14, no.11 (Nov 1976): 7–12.https://doi.org/10.1007/BF02694642