El diseño de la realidad televisiva en el documental de naturaleza: "El Hombre y la Tierra. Serie Venezolana" (Félix Rodríguez de la Fuente, 1974)
2012; Complutense University of Madrid; Volume: 18; Issue: 1 Linguagem: Inglês
10.5209/rev_esmp.2012.v18.n1.39370
ISSN1988-2696
AutoresJosé Cabeza San Deogracias, Salvador Gómez‐García,
Tópico(s)Radio, Podcasts, and Digital Media
ResumoThis article will analyze both the audiovisual references that affect directly in the conception of documentary serie El Hombre y la Tierra (Félix Rodríguez de la Fuente, 1974-1981) and the film editing that have been done in Jaguar scenes along the 18 episodes in the Serie Venezolana. Study, analysis and classification of all predator images will prove the manipulative use of film editing in order to get a amusing and successful tv programme, but also informative. Through these episodes, Rodríguez de la Fuente discovered that reconstruction documentary was the best way to record wild animals life and get a fine and truly audiovisual product with it.
Referência(s)