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Vanishing Americans: Abbott Thayer, Theodore Roosevelt, and the Attraction of Camouflage

1997; University of Chicago Press; Volume: 11; Issue: 2 Linguagem: Inglês

10.1086/424296

1549-6503

Alexander Nemerov,

Gothic Literature and Media Analysis

Previous articleNext article No AccessVanishing Americans: Abbott Thayer, Theodore Roosevelt, and the Attraction of CamouflageAlexander NemerovAlexander Nemerov Search for more articles by this author PDFPDF PLUS Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinkedInRedditEmail SectionsMoreDetailsFiguresReferencesCited by American Art Volume 11, Number 2Summer 1997 Sponsored by the Smithsonian American Art Museum Article DOIhttps://doi.org/10.1086/424296 Views: 31Total views on this site Citations: 23Citations are reported from Crossref Copyright 1997 Smithsonian InstitutionPDF download Crossref reports the following articles citing this article:Will Abberley Mimicry and Display in Victorian Literary Culture, 54 (May 2020).https://doi.org/10.1017/9781108770026 Introduction, (Jan 2019): 1–12.https://doi.org/10.1215/9781478004462-001 Coral Empire, (Jan 2019): 15–28.https://doi.org/10.1215/9781478004462-003 Mad Love, (Jan 2019): 29–45.https://doi.org/10.1215/9781478004462-004 Williamson and the Photosphere, (Jan 2019): 49–67.https://doi.org/10.1215/9781478004462-006 The Field Museum-Williamson Undersea Expedition, (Jan 2019): 68–82.https://doi.org/10.1215/9781478004462-007 Under the Sea, (Jan 2019): 83–96.https://doi.org/10.1215/9781478004462-008 Williamson in Australia, (Jan 2019): 97–113.https://doi.org/10.1215/9781478004462-009 Hurley and the Floor of the Sea, (Jan 2019): 117–130.https://doi.org/10.1215/9781478004462-011 Hurley and the Australian Museum Expedition, (Jan 2019): 131–146.https://doi.org/10.1215/9781478004462-012 Pearls and Savages, (Jan 2019): 147–164.https://doi.org/10.1215/9781478004462-013 Hurley and the Torres Strait Diver, (Jan 2019): 165–181.https://doi.org/10.1215/9781478004462-014 Explorers and Modern Media, (Jan 2019): 185–198.https://doi.org/10.1215/9781478004462-016 Color and Tourism, (Jan 2019): 199–213.https://doi.org/10.1215/9781478004462-017 The Anthropocene, (Jan 2019): 217–229.https://doi.org/10.1215/9781478004462-019 Conclusion, (Jan 2019): 230–234.https://doi.org/10.1215/9781478004462-020 Notes, (Jan 2019): 235–260.https://doi.org/10.1215/9781478004462-021 Bibliography, (Jan 2019): 261–275.https://doi.org/10.1215/9781478004462-022Roy R. Behrens Seeing through Camouflage: Abbott Thayer, Background-Picturing and the Use of Cutout Silhouettes, Leonardo 51, no.11 (Feb 2018): 40–46.https://doi.org/10.1162/LEON_a_01337Xavier Guillaume, Rune S. Andersen, Juha A. Vuori Paint it black: Colours and the social meaning of the battlefield , European Journal of International Relations 22, no.11 (Apr 2015): 49–71.https://doi.org/10.1177/1354066115573336Martin Stevens, Sami Merilaita Animal camouflage, (Jul 2011): 1–16.https://doi.org/10.1017/CBO9780511852053.001Ann Elias Campaigners for Camouflage: Abbott H. Thayer and William J. Dakin, Leonardo 42, no.11 (Feb 2009): 36–41.https://doi.org/10.1162/leon.2009.42.1.36Elizabeth Lee Therapeutic Beauty: Abbott Thayer, Antimodernism, and the Fear of Disease Lee, American Art 18, no.33 (Jul 2015): 32–51.https://doi.org/10.1086/427531