Artigo Revisado por pares

Missing Mothers/Desiring Daughters: Framing the Sight of Women

1988; University of Chicago Press; Volume: 15; Issue: 1 Linguagem: Inglês

10.1086/448474

ISSN

1539-7858

Autores

Naomi Scheman,

Tópico(s)

Cinema and Media Studies

Resumo

Previous articleNext article No AccessMissing Mothers/Desiring Daughters: Framing the Sight of WomenNaomi SchemanNaomi Scheman Search for more articles by this author PDFPDF PLUS Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinkedInRedditEmail SectionsMoreDetailsFiguresReferencesCited by Critical Inquiry Volume 15, Number 1Autumn, 1988 Article DOIhttps://doi.org/10.1086/448474 Views: 20Total views on this site Citations: 15Citations are reported from Crossref Copyright 1988 The University of ChicagoPDF download Crossref reports the following articles citing this article: Bibliography, (Sep 2017): 591–675.https://doi.org/10.1002/9781405164498.biblio Something a Little Strange, (Jan 2000): 21–68.https://doi.org/10.1215/9780822380252-002 Fantasmatic Escapades, (Jan 2000): 69–110.https://doi.org/10.1215/9780822380252-003 Camping under the Stars, (Jan 2000): 111–150.https://doi.org/10.1215/9780822380252-004 Mommie Dearest, (Jan 2000): 151–198.https://doi.org/10.1215/9780822380252-005 Papa, Can’t You See That I’m Flaming?, (Jan 2000): 199–247.https://doi.org/10.1215/9780822380252-006 Notes, (Jan 2000): 249–279.https://doi.org/10.1215/9780822380252-007 Bibliography, (Jan 2000): 285–297.https://doi.org/10.1215/9780822380252-008 Filmography, (Jan 2000): 281–283.https://doi.org/10.1215/9780822380252-010Barbara Hodgdon He do Cressida in Different Voices, (Jan 2000): 184–201.https://doi.org/10.1007/978-0-230-62826-7_9Sonia Livingstone, Tamar Liebes Where have all the mothers gone? Soap opera's replaying of the oedipal story, Critical Studies in Mass Communication 12, no.22 (May 2009): 155–175.https://doi.org/10.1080/15295039509366929TAMAR LIEBES, SONIA LIVINGSTONE The Structure of Family and Romantic Ties in the Soap Opera, Communication Research 21, no.66 (Dec 1994): 717–741.https://doi.org/10.1177/009365094021006004Lawrence Kramer Culture and musical hermeneutics: The Salome complex, Cambridge Opera Journal 2, no.33 (Aug 2008): 269–294.https://doi.org/10.1017/S0954586700003281Laurie Shrage Feminist Film Aesthetics: A Contextual Approach, Hypatia 5, no.22 (Mar 2020): 137–148.https://doi.org/10.1111/j.1527-2001.1990.tb00422.xMarcus Banks Visual ideology: Problems of subjectivity, Visual Sociology 4, no.22 (Mar 1989): 127–140.https://doi.org/10.1080/14725868908583646

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