Fiesta Performance as Epistemology
2015; Routledge; Volume: 20; Issue: 1 Linguagem: Inglês
10.1080/13528165.2015.991593
ISSN1469-9990
AutoresAngela Marino, Manuel R. Cuellar,
Tópico(s)Philippine History and Culture
ResumoClick to increase image sizeClick to decrease image size Notes1. “Letrados” refers to the literate elite. See Angel Rama, The Lettered City, Ed. and translated by John Charles Chasteen, Duke University Press, 1996.2. Taylor, Diana. “Performance and/as history.” TDR. 50.1 (2006): 67-86.3. San Cristóbal de las Casas is one of the larger towns in the southern region of Chiapas.1. ‘Book II’ of the Florentine Codex makes a description of all the festivities, rituals and ceremonies that took place throughout the year. The counting of the days, and the festivities that marked them, were recorded in a calendar or book of the days, ilhuitlapohualamoxtli or tonalpohualli (Sahagun Citation1956 [1577]).2. Unless otherwise indicated, all translations are ours. ‘Y esta poiesis del mundo, que se realiza en la caminata, en los kipus que registran la memoria y las regularidades de los ciclos astrales, se nos figura como una evidencia y una propuesta. La alteridad indígena puede verse como una nueva universalidad, que se opone al caos y a la destrucción colonial del mundo y de la vida. Desde antiguo, hasta el presente, son las tejedoras y los poetas-astrólogos de las comunidades y pueblos, los que nos revelan esa trama alternativa y subversiva de saberes y de prácticas capaces de restaurar el mundo y devolverlo a su propio cauce’ (Rivera Cusicanqui 2010).3. Referring to the November Fiesta of Difuntos (the Dead), Guamán Poma wrote, ‘en la fiesta de los difuntos de este mes … gasta en esta fiesta muy mucho’ (1986: 181, Illustration 257[259]).4. James Lockhart suggests the Nahua's ‘general lack of clearly drawn polarities, seen above all in a disinclination to distinguish systematically between private and public’ (1992: 440).15. Taylor defines scenarios as ‘meaning-making paradigms that structure social environments, behaviors, and potential outcomes … The scenario makes visible, yet again, what is already there: the ghosts, the images, the stereotypes … ; [it] predates the script and allows for many possible “endings”’ (2003: 28).
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