Artigo Revisado por pares

Just a Girl? Rock Music, Feminism, and the Cultural Construction of Female Youth

1998; University of Chicago Press; Volume: 23; Issue: 3 Linguagem: Inglês

10.1086/495280

ISSN

1545-6943

Autores

Gayle Wald,

Tópico(s)

Digital Games and Media

Resumo

Previous articleNext article No AccessJust a Girl? Rock Music, Feminism, and the Cultural Construction of Female YouthGayle WaldGayle Wald Search for more articles by this author PDFPDF PLUS Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinkedInRedditEmailPrint SectionsMoreDetailsFiguresReferencesCited by Signs Volume 23, Number 3Spring, 1998Feminisms and Youth Cultures Article DOIhttps://doi.org/10.1086/495280 Views: 370Total views on this site Citations: 109Citations are reported from Crossref Copyright 1998 The University of ChicagoPDF download Crossref reports the following articles citing this article:Aviva Dove-Viebahn Fantasies of white feminism: the human as “Other” in Captain Marvel, Feminist Media Studies 1989 (Jul 2023): 1–15.https://doi.org/10.1080/14680777.2023.2229057Roxanne Harde “Enter your watchwoman”: Alanis Morissette’s feminist lessons, Feminist Media Studies 125 (Jul 2023): 1–15.https://doi.org/10.1080/14680777.2023.2229058Dan DiPiero “I Wanna Be That Cool”, Journal of Popular Music Studies 35, no.22 (Jun 2023): 39–65.https://doi.org/10.1525/jpms.2023.35.2.39Cassandra D. 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Littauer; From the Dance Hall to Facebook: Teen Girls, Mass Media, and Moral Panic in the United States, 1905–2010 by Shayla Thiel-Stern, Signs: Journal of Women in Culture and Society 43, no.22 (Nov 2017): 489–493.https://doi.org/10.1086/693558Sarah Dougher, Diane Pecknold Girls, girlhood, and popular music, Journal of Popular Music Studies 28, no.44 (Dec 2016): 407–411.https://doi.org/10.1111/jpms.12190Yessica Garcia-Hernandez Sonic Pedagogies: Latina girls, mother-daughter relationships, and learning feminisms through the consumption of Jenni Rivera, Journal of Popular Music Studies 28, no.44 (Dec 2016): 427–442.https://doi.org/10.1111/jpms.12192Sarah Keith, Diane Hughes Embodied Kawaii: Girls’ voices in J-pop, Journal of Popular Music Studies 28, no.44 (Dec 2016): 474–487.https://doi.org/10.1111/jpms.12195Katherine Williams, Justin A. Williams The Cambridge Companion to the Singer-Songwriter, 251 (Jul 2016).https://doi.org/10.1017/CCO9781316569207Carly Guest Aaliyah and Jenny: Feminist Hope, (Aug 2016): 85–123.https://doi.org/10.1057/978-1-137-53181-0_4Kate Douglas, Anna Poletti Impossible Subjects: Addiction and Redemption in Memoirs of Girlhood, (Dec 2016): 149–173.https://doi.org/10.1057/978-1-137-55117-7_6Sharon R. Mazzarella Girl Culture, (Dec 2015).https://doi.org/10.1002/9781405186407.wbiecg015.pub2Sharon R. Mazzarella Girl Culture, (Dec 2015): 1–5.https://doi.org/10.1002/9781405186407.wbiecg015.pub3Elizabeth Groeneveld Are we all Pussy Riot? On narratives of feminist return and the limits of transnational solidarity, Feminist Theory 16, no.33 (Dec 2015): 289–307.https://doi.org/10.1177/1464700115604134Kathryn Hill Buffy's Voice, Feminist Media Studies 13, no.44 (Sep 2013): 725–744.https://doi.org/10.1080/14680777.2011.652142Tara Chittenden In My Rearview Mirror, Journal of Children and Media 7, no.22 (May 2013): 186–200.https://doi.org/10.1080/17482798.2012.673500Atte Oksanen Female Rock Stars and Addiction in Autobiographies, Nordic Studies on Alcohol and Drugs 30, no.1-21-2 (Apr 2017): 123–140.https://doi.org/10.2478/nsad-2013-0009 Introduction, (Jan 2013): 1–29.https://doi.org/10.1215/9780822395645-001 Mainstreaming Masculinity, (Jan 2013): 33–69.https://doi.org/10.1215/9780822395645-003 From the Margins to the Mainstream, (Jan 2013): 70–113.https://doi.org/10.1215/9780822395645-004 The Troubling Subject of Wayward Asian Girls, (Jan 2013): 117–159.https://doi.org/10.1215/9780822395645-006 Roomful of Asha, (Jan 2013): 160–185.https://doi.org/10.1215/9780822395645-007 Conclusion, (Jan 2013): 187–202.https://doi.org/10.1215/9780822395645-008 Notes, (Jan 2013): 203–226.https://doi.org/10.1215/9780822395645-009 Bibliography, (Jan 2013): 227–236.https://doi.org/10.1215/9780822395645-010Natalie Coulter Separate Playgrounds: Surveying the Fields of Girls Media Studies and Boyhood Studies, Canadian Journal of Communication 37, no.22 (Jul 2012): 353–362.https://doi.org/10.22230/cjc.2012v37n2a2579Pauwke Berkers Rock Against Gender Roles: Performing Femininities and Doing Feminism Among Women Punk Performers in the Netherlands, 1976-1982, Journal of Popular Music Studies 24, no.22 (Jun 2012): 155–175.https://doi.org/10.1111/j.1533-1598.2012.01323.x Introduction, (Jan 2012): 1–13.https://doi.org/10.1215/9780822395171-001 Introduction, (Jan 2012): 17–19.https://doi.org/10.1215/9780822395171-002 Seeing and Getting, (Jan 2012): 20–25.https://doi.org/10.1215/9780822395171-003 Sandbagging, or Grown-Ups Do This?, (Jan 2012): 26–31.https://doi.org/10.1215/9780822395171-004 Score, (Jan 2012): 32–39.https://doi.org/10.1215/9780822395171-005 Introduction, (Jan 2012): 43–45.https://doi.org/10.1215/9780822395171-006 Skating Is Like Sex, Except When It Isn't, (Jan 2012): 46–51.https://doi.org/10.1215/9780822395171-007 The End of Me, or My Brief Life in Hockey, (Jan 2012): 52–59.https://doi.org/10.1215/9780822395171-008 When God Gets Involved, (Jan 2012): 60–67.https://doi.org/10.1215/9780822395171-009 Introduction, (Jan 2012): 71–72.https://doi.org/10.1215/9780822395171-010 White Skates Become You, (Jan 2012): 73–78.https://doi.org/10.1215/9780822395171-011 Form-Fitting, (Jan 2012): 79–84.https://doi.org/10.1215/9780822395171-012 My Grandmother's Shoes, (Jan 2012): 85–88.https://doi.org/10.1215/9780822395171-013 Black Skates, or the Stake in Wanting, (Jan 2012): 89–93.https://doi.org/10.1215/9780822395171-014 Introduction, (Jan 2012): 97–102.https://doi.org/10.1215/9780822395171-015 Skank or Ballerina, (Jan 2012): 103–110.https://doi.org/10.1215/9780822395171-016 Cracking the Normative, (Jan 2012): 111–116.https://doi.org/10.1215/9780822395171-017 Oh, Right, Policing Femininity, (Jan 2012): 117–127.https://doi.org/10.1215/9780822395171-018 Booty Block, (Jan 2012): 128–135.https://doi.org/10.1215/9780822395171-019 Introduction, (Jan 2012): 139–143.https://doi.org/10.1215/9780822395171-020 “I Stand beside Him with an Axe!”, (Jan 2012): 144–152.https://doi.org/10.1215/9780822395171-021 Quads Make the Man, or What's too Gay for Men's Figure Skating, (Jan 2012): 153–159.https://doi.org/10.1215/9780822395171-022 The Girl who Fooled My Butchdar, (Jan 2012): 160–165.https://doi.org/10.1215/9780822395171-023 Introduction, (Jan 2012): 169–173.https://doi.org/10.1215/9780822395171-024 Buy-In, (Jan 2012): 174–179.https://doi.org/10.1215/9780822395171-025 So You Think You Can Train, or Why Can Joshua Dance?, (Jan 2012): 180–185.https://doi.org/10.1215/9780822395171-026 Gifts of Nature, Freaks of Culture, (Jan 2012): 186–195.https://doi.org/10.1215/9780822395171-027 Introduction, (Jan 2012): 199–203.https://doi.org/10.1215/9780822395171-028 Parsing Perilicious, (Jan 2012): 204–209.https://doi.org/10.1215/9780822395171-029 Telling the Mrs., (Jan 2012): 210–214.https://doi.org/10.1215/9780822395171-030 What Sticks Out, (Jan 2012): 215–218.https://doi.org/10.1215/9780822395171-031 Losing her Manhood, (Jan 2012): 219–223.https://doi.org/10.1215/9780822395171-032 Pleasure on Its Face, (Jan 2012): 227–234.https://doi.org/10.1215/9780822395171-033 Politics at Hand, (Jan 2012): 235–241.https://doi.org/10.1215/9780822395171-034 Getting the Goods, (Jan 2012): 242–247.https://doi.org/10.1215/9780822395171-035 Conclusion, (Jan 2012): 249–261.https://doi.org/10.1215/9780822395171-036 Notes, (Jan 2012): 263–284.https://doi.org/10.1215/9780822395171-037 Bibliography, (Jan 2012): 285–295.https://doi.org/10.1215/9780822395171-038Regina Facchini, "Não faz mal pensar que não se está só": estilo, produção cultural e feminismo entre as minas do rock em São Paulo, Cadernos Pagu , no.3636 (Jun 2011): 117–153.https://doi.org/10.1590/S0104-83332011000100006Lisiunia A. 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Keenan “Who Are You Calling ‘Lady’?”: Femininity, Sexuality, and Third-Wave Feminism, Journal of Popular Music Studies 20, no.44 (Dec 2008): 378–401.https://doi.org/10.1111/j.1533-1598.2008.00170.xIsolda Rojas-Lizana Crítica de Schrader-Kniffki (2006): La cortesía en el mundo hispánico: Nuevos contextos, nuevos enfoques metodológicos, Spanish in Context 5, no.22 (Nov 2008): 315–318.https://doi.org/10.1075/sic.5.2.10rojSharon R. Mazzarella Girl Culture, (Jun 2008).https://doi.org/10.1002/9781405186407.wbiecg015 GIRLS' STUDIES FORUM AND BOOK REVIEW, Journal of Children and Media 2, no.11 (Feb 2008): 75–87.https://doi.org/10.1080/17482790701733237Helga Kelle Mädchen: Zur Entwicklung der Mädchenforschung, (Jan 2008): 410–419.https://doi.org/10.1007/978-3-531-91972-0_49Christi-Anne Castro Voices in the Minority: Race, Gender, Sexuality, and the Asian American in Popular Music, Journal of Popular Music Studies 19, no.33 (Sep 2007): 221–238.https://doi.org/10.1111/j.1533-1598.2007.00124.xDawn H. Currie, Deirdre M. Kelly, Shauna Pomerantz Listening to girls: discursive positioning and the construction of self, International Journal of Qualitative Studies in Education 20, no.44 (Jul 2007): 377–400.https://doi.org/10.1080/09518390601176366Sharon R. Mazzarella, Norma Pecora REVISITING GIRLS' STUDIES, Journal of Children and Media 1, no.22 (Jul 2007): 105–125.https://doi.org/10.1080/17482790701339118Patricia Pender ‘Kicking Ass Is Comfort Food’, (Jan 2007): 224–236.https://doi.org/10.1057/9780230593664_17Rebecca Munford ‘Wake Up and Smell the Lipgloss’, (Jan 2007): 266–279.https://doi.org/10.1057/9780230593664_20Sharon R. Mazzarella, Norma O. Pecora Girls in Crisis: Newspaper Coverage of Adolescent Girls, Journal of Communication Inquiry 31, no.11 (Jan 2007): 6–27.https://doi.org/10.1177/0196859906294712Annika Hylmö Girls on Film: An Examination of Gendered Vocational Socialization Messages Found in Motion Pictures Targeting Teenage Girls, Western Journal of Communication 70, no.33 (Sep 2006): 167–185.https://doi.org/10.1080/10570310600843488Danielle Bessett "Don't Step on My Groove!": Gender and the Social Experience of Rock, Symbolic Interaction 29, no.11 (Feb 2006): 49–62.https://doi.org/10.1525/si.2006.29.1.49J. Nicole Little, Marie L. Hoskins It's an Acceptable Identity, Child & Youth Services 26, no.22 (Jul 2005): 75–93.https://doi.org/10.1300/J024v26n02_05Pierrette Bouchard, Natasha Bouchard L’imprégnation idéologique et la résistance : étude des réactions d’un groupe de préadolescentes à deux magazines pour jeunes filles, Recherches féministes 18, no.11 (May 2006): 5–24.https://doi.org/10.7202/012543arShauna Pomerantz, Dawn H. Currie, Deirdre M. Kelly Sk8er girls: Skateboarders, girlhood and feminism in motion, Women's Studies International Forum 27, no.5-65-6 (Nov 2004): 547–557.https://doi.org/10.1016/j.wsif.2004.09.009Helga Kelle Mädchen: Zur Entwicklung der Mädchenforschung, (Jan 2004): 360–369.https://doi.org/10.1007/978-3-322-99461-5_45Rebecca Munford ‘Wake Up and Smell the Lipgloss’: Gender, Generation and the (A)politics of Girl Power, (Jan 2004): 142–153.https://doi.org/10.1057/9780230523173_12Patricia Pender ‘Kicking Ass is Comfort Food’: Buffy as Third Wave Feminist Icon, (Jan 2004): 164–174.https://doi.org/10.1057/9780230523173_14Bettina Fritzsche Negociando o feminismo pop na cultura jovem feminina: um estudo empírico com fãs de grupos femininos, Revista Estudos Feministas 12, no.22 (Aug 2004): 106–115.https://doi.org/10.1590/S0104-026X2004000200006Pamela Aronson Feminists Or “Postfeminists”?, Gender & Society 17, no.66 (Dec 2003): 903–922.https://doi.org/10.1177/0891243203257145Judith Halberstam What's that Smell?, International Journal of Cultural Studies 6, no.33 (Jul 2016): 313–333.https://doi.org/10.1177/13678779030063005Kathleen Kennedy Results of a misspent youth: Joan Jett's performance of female masculinity, Women's History Review 11, no.11 (Mar 2002): 89–114.https://doi.org/10.1080/09612020200200312Vicki Mayer Pop Goes the World, Emergences: Journal for the Study of Media & Composite Cultures 11, no.22 (Nov 2001): 309–324.https://doi.org/10.1080/10457220120099017Nicola Richards, Katie Milestone ‘What Difference does it Make? Women's Pop Cultural Production and Consumption in Manchester’, Sociological Research Online 5, no.11 (Nov 2017): 116–129.https://doi.org/10.5153/sro.410MARY ANN CLAWSON WHEN WOMEN PLAY THE BASS, Gender & Society 13, no.22 (Apr 1999): 193–210.https://doi.org/10.1177/089124399013002003

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