Imagining an Interdisciplinary Canon
2010; Wiley; Volume: 22; Issue: 1 Linguagem: Tagalog
10.1111/j.1533-1598.2010.01220.x
ISSN1533-1598
Autores Tópico(s)Music History and Culture
ResumoJournal of Popular Music StudiesVolume 22, Issue 1 p. 68-73 Imagining an Interdisciplinary Canon Steve Waksman, Steve Waksman Smith CollegeSearch for more papers by this author Steve Waksman, Steve Waksman Smith CollegeSearch for more papers by this author First published: 23 March 2010 https://doi.org/10.1111/j.1533-1598.2010.01220.xCitations: 2Read the full textAboutPDF ToolsRequest permissionExport citationAdd to favoritesTrack citation ShareShare Give accessShare full text accessShare full-text accessPlease review our Terms and Conditions of Use and check box below to share full-text version of article.I have read and accept the Wiley Online Library Terms and Conditions of UseShareable LinkUse the link below to share a full-text version of this article with your friends and colleagues. Learn more.Copy URL Works Cited Gendron, Bernard. Between Montmartre and the Mudd Club: Popular Music and the Avant-Garde. Chicago : U of Chicago P, 2002. Gennari, John. Blowin' Hot and Cool: Jazz and Its Critics. Chicago : U of Chicago P, 2006. Murray, Charles Shaar. Crosstown Traffic: Jimi Hendrix and the Post-War Rock 'n' Roll Revolution. New York : St. Martin's P, 1989. Rose, Tricia. Black Noise: Rap Music and Black Culture in Contemporary America. Hanover , NH : Wesleyan UP, 1994. Shank, Barry. Dissonant Identities: The Rock 'n' Roll Scene in Austin, Texas. Hanover , NH : Wesleyan UP, 1994. Théberge, Paul. Any Sound You Can Imagine: Making Music, Consuming Technology. Hanover , NH : Wesleyan UP, 1997. Walser, Robert. Running with the Devil: Power, Gender, and Madness in Heavy Metal Music. Hanover , NH : Wesleyan UP, 1993. Ten Further Titles (A Mini-Canon) Attali, Jacques. Noise: The Political Economy of Music. Trans. Brian Massumi. Minneapolis : U of Minnesota P, 1985. Baraka, Amiri. Blues People: Negro Music in White America. New York : William Morrow, 1963. Brackett, David. Interpreting Popular Music. Berkeley : U of California P, 2000. [Reprint; original publication by Cambridge UP, 1995. Cantwell, Robert. Bluegrass Breakdown: The Making of the Old Southern Sound. Urbana : U of Illinois P, 1984. Duncan, Robert. The Noise: Notes from a Rock 'n' Roll Era. New York : Ticknor & Fields, 1984. Feld, Steven, and Charles Keil. Music Grooves: Essays and Dialogues. Chicago : University of Chicago Press, 1994. Frith, Simon. Performing Rites: On the Value of Popular Music. Cambridge , MA : Harvard UP, 1996. Gaines, Donna. Teenage Wasteland: Suburbia's Dead End Kids. New York : Vintage, 1990. Lipsitz, George. Dangerous Crossroads: Popular Music, Postmodernism, and the Poetics of Place. London : Verso, 1994. Small, Christopher. Music of the Common Tongue: Survival and Celebration in Afro-American Music. London : John Calder, 1987. Citing Literature Volume22, Issue1March 2010Pages 68-73 ReferencesRelatedInformation
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