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A remissão histórica do figurino e a construção da idéia de Brasil: a lógica do vestuário na obra de Caramuru de Guel Arraes

2010; Departamento de Cinema, Rádio e Televisão da Universidade de São Paulo; Volume: 37; Issue: 34 Linguagem: Inglês

10.11606/issn.2316-7114.sig.2010.68119

2316-7114

Solange Wajnman,

Gender, Sexuality, and Education

In this work we searched for identifying the characters’ outfit of the film Caramuru, the invention of Brazil (2000), by Guel Arraes, and demonstrating that the historical costume is, many times, exhibited in a remissive way and without any order indicating to other distant spaces and times of the period dealt. We observe then the visual expression of a Brazil which historical data is deconstructed. Some theoretical-methodological possibilities are appointed as a contribution to the study of media’s products costume.