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Two Antilynching Art Exhibitions: Politicized Viewpoints, Racial Perspectives, Gendered Constraints

1999; University of Chicago Press; Volume: 13; Issue: 1 Linguagem: Inglês

10.1086/424334

1549-6503

Helen Langa,

Law in Society and Culture

Previous articleNext article No AccessTwo Antilynching Art Exhibitions: Politicized Viewpoints, Racial Perspectives, Gendered ConstraintsHelen LangaHelen Langa Search for more articles by this author PDFPDF PLUS Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinkedInRedditEmail SectionsMoreDetailsFiguresReferencesCited by American Art Volume 13, Number 1Spring 1999 Sponsored by the Smithsonian American Art Museum Article DOIhttps://doi.org/10.1086/424334 Views: 58Total views on this site Citations: 14Citations are reported from Crossref Copyright 1999 Smithsonian InstitutionPDF download Crossref reports the following articles citing this article: The Visual Life of Black Power, (Jan 2023): 1–20.https://doi.org/10.1215/9781478023937-001 “1,000 Bobby Huttons”, (Jan 2023): 21–52.https://doi.org/10.1215/9781478023937-002 Fred Hampton and the Political Life of Objects, (Jan 2023): 53–89.https://doi.org/10.1215/9781478023937-003 George Jackson’s Murder and Fugitive Imaginaries, (Jan 2023): 90–134.https://doi.org/10.1215/9781478023937-004 The United States of Attica, (Jan 2023): 135–145.https://doi.org/10.1215/9781478023937-005 Notes, (Jan 2023): 147–169.https://doi.org/10.1215/9781478023937-006 Bibliography, (Jan 2023): 171–180.https://doi.org/10.1215/9781478023937-007Taras Bocharov, Petr Kozorezenko Russian Landscape Linocut, 1910-1970, Scientific and analytical journal Burganov House. The space of culture 16, no.44 (Dec 2020): 101–112.https://doi.org/10.36340/2071-6818-2020-16-4-101-112Edward J. Blum “Look, Baby, We Got Jesus on Our Flag”, The ANNALS of the American Academy of Political and Social Science 637, no.11 (Jul 2011): 17–37.https://doi.org/10.1177/0002716211407464Sandy Alexandre From the Same Tree: Gender and Iconography in Representations of Violence in Beloved, Signs: Journal of Women in Culture and Society 36, no.44 (Jul 2015): 915–940.https://doi.org/10.1086/658505Ellen G. Landau Double Consciousness in Mexico: How Philip Guston and Reuben Kadish Painted a Morelian Mural Landau, American Art 21, no.11 (Jul 2015): 74–97.https://doi.org/10.1086/518295David Garland Penal Excess and Surplus Meaning: Public Torture Lynchings in Twentieth-Century America, Law Society Review 39, no.44 (Dec 2005): 793–834.https://doi.org/10.1111/j.1540-5893.2005.00245.xDiana L. Linden, Larry A. Greene Charles Alston's Harlem Hospital Murals: Cultural Politics in Depression Era Harlem, Prospects 26 (Jul 2009): 391–421.https://doi.org/10.1017/S0361233300000983 Judith Zilczer A Not-So-Peaceable Kingdom: Horace Pippin's "Holy Mountain", Archives of American Art Journal 41, no.1/41/4 (Oct 2015): 18–33.https://doi.org/10.1086/aaa.41.1_4.1557755