<i>A Journey Through the Blues: The Son Seals Story</i> (review)
2008; Music Library Association; Volume: 65; Issue: 1 Linguagem: Inglês
10.1353/not.0.0042
ISSN1534-150X
Autores Tópico(s)Music History and Culture
ResumoReviewed by: A Journey Through the Blues: The Son Seals Story Gerald A. Notaro Son Seals. A Journey Through the Blues: The Son Seals Story. DVD. Produced by Peter Carlson. [Santa Fe: NM]: Sagebrush Productions, 2007. SB102. $17.99. Though born in rural Arkansas, Frank “Son” Seals ultimately embodied a Chicago blues guitar and vocal style which friends and fans could identify within a riff. Son’s father ran a juke joint in Osceola, Arkansas. He had thirteen (maybe fourteen) children, but Frank was the youngest, and known as “Son.” He grew up listening and learning from the traveling old guard of blues players such as Robert Nighthawk and Albert King. A Journey Through the Blues: The Son Seals Story tells his story in a simple and direct manner, much like the man himself. The DVD is segmented organically with phrases attributed to Son, such as “It Just Grew up In Me,” and “Before You Develop There Is No You.” There are interviews with Son, his family, and a host of friends ranging from Koko Taylor, a legend herself, to Steven Seagal, a fellow blues musician and fan. Dr. John, a credible authority on all things blues, says Son kept it all real. They all attest that Son was a regular guy who turned fiery when he played his guitar. No one ever had a bad word to say about him, except perhaps his ex-wife who shot him in the face and lodged a bullet in his jaw. Little known at the time, Bruce Iglauer of Alligator Records befriended Son on his arrival in Chicago, became his manager, and sold his records in 1973 from the back of his car. His promotion led to appearances at The Bottom Line and rave reviews in Rolling Stone. With it all, Son still proclaimed, “Nobody ever got rich playing the blues.” Now Iglauer’s company represents and records the best in blues, from Robert Cray to Johnny Winter. When Son first started out touring in bands, he had to be able to play in every popular style. However, he also knew he had to keep trying something different until he developed his own distinctive style. He defined the electric Chicago blues: tough, funk, slow and up-tempo, always fierce. His vocals, although rough and unpolished, are as distinctive as his playing, and reminiscent of Leonard Cohen. DVD extras are three live performances from the House of Blues and the Rooster Blues in Chicago, and the Chicago Blues Festival, all late in his career, Those were rough times for Son as he fought diabetes and the amputations that too often follow. His sister describes his battles with health problems, but says he just gave up in the end. Though the DVD is short, it is, like Son himself, direct and to the point. Viewers are bound to be impressed with his talent and innovation. [End Page 152] Gerald A. Notaro University of South Florida, St. Petersburg Copyright © 2008 Music Library Association, Inc
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