Doubleness and Jazz Improvisation: Irony, Parody, and Ethnomusicology
1994; University of Chicago Press; Volume: 20; Issue: 2 Linguagem: Inglês
10.1086/448712
ISSN1539-7858
Autores Tópico(s)Brazilian cultural history and politics
ResumoPrevious articleNext article No AccessDoubleness and Jazz Improvisation: Irony, Parody, and EthnomusicologyIngrid MonsonIngrid Monson Search for more articles by this author PDFPDF PLUS Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinkedInRedditEmail SectionsMoreDetailsFiguresReferencesCited by Critical Inquiry Volume 20, Number 2Winter, 1994 Article DOIhttps://doi.org/10.1086/448712 Views: 49Total views on this site Citations: 62Citations are reported from Crossref Copyright 1994 The University of ChicagoPDF download Crossref reports the following articles citing this article: Introduction, (Jan 2021): 1–22.https://doi.org/10.1215/9781478012795-001 Voice Prints, (Jan 2021): 23–60.https://doi.org/10.1215/9781478012795-002 Communities in Transition, (Jan 2021): 61–102.https://doi.org/10.1215/9781478012795-003 Tomorrow is the Question!, (Jan 2021): 103–141.https://doi.org/10.1215/9781478012795-004 Body/Language, (Jan 2021): 143–179.https://doi.org/10.1215/9781478012795-005 Notes, (Jan 2021): 195–233.https://doi.org/10.1215/9781478012795-006 Bibliography, (Jan 2021): 235–253.https://doi.org/10.1215/9781478012795-007 Coda, (Jan 2021): 181–194.https://doi.org/10.1215/9781478012795-181Rafael do Nascimento Cesar A FRAGATA NEGRA: TRADUÇÃO E VINGANÇA EM NINA SIMONE, Mana 24, no.11 (Apr 2018): 39–70.https://doi.org/10.1590/1678-49442018v24n1p039FUMI OKIJI Storytelling in Jazz Work as Retrospective Collaboration, Journal of the Society for American Music 11, no.11 (Jan 2017): 70–92.https://doi.org/10.1017/S1752196316000535M. 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Simpson Critical Theory, Aesthetics, and Black Modernity, (Dec 2007): 386–398.https://doi.org/10.1002/9780470751640.ch25Nichole T. Rustin Cante Hondo: Charles Mingus, Nat Hentoff, and Jazz Racism1, Critical Sociology 32, no.2-32-3 (Sep 2016): 309–331.https://doi.org/10.1163/156916306777835394Cameron Shelley The bicoherence theory of situational irony, Cognitive Science 25, no.55 (Feb 2010): 775–818.https://doi.org/10.1207/s15516709cog2505_7Tommy Lee Lott The 1960s Avant-Garde Movement in Jazz, Social Identities 7, no.22 (Aug 2010): 165–177.https://doi.org/10.1080/13504630120065266Jennifer FitzGerald Signifyin(g) on Determinism: Commodity, Romance and Bricolage in Toni Morrison's Jazz 1, Lit: Literature Interpretation Theory 12, no.44 (Jan 2001): 381–409.https://doi.org/10.1080/10436920108580298 Introduction, (Jan 2001): 1–29.https://doi.org/10.1215/9780822380900-001 Working the Swing Shift, (Jan 2001): 33–69.https://doi.org/10.1215/9780822380900-002 “Hours of Charm” with Phil Spitalny, (Jan 2001): 70–96.https://doi.org/10.1215/9780822380900-003 Extracurricular Activities with the Prairie View Co-Eds, (Jan 2001): 97–132.https://doi.org/10.1215/9780822380900-004 Surveillance and Survival in the Jim Crow South, (Jan 2001): 135–162.https://doi.org/10.1215/9780822380900-005 Internationalism and the Sweethearts of Rhythm, (Jan 2001): 163–194.https://doi.org/10.1215/9780822380900-006 The Darlings of Rhythm, (Jan 2001): 195–224.https://doi.org/10.1215/9780822380900-007 Female Big Bands, Male Mass Audiences, (Jan 2001): 227–258.https://doi.org/10.1215/9780822380900-008 Battles of a “Sophisticated Lady”, (Jan 2001): 259–290.https://doi.org/10.1215/9780822380900-009 “And, Fellas, They’re American Girls!”, (Jan 2001): 291–316.https://doi.org/10.1215/9780822380900-010 Conclusion, (Jan 2001): 317–334.https://doi.org/10.1215/9780822380900-011 Notes, (Jan 2001): 335–369.https://doi.org/10.1215/9780822380900-012 Bibliography, (Jan 2001): 371–397.https://doi.org/10.1215/9780822380900-013 Introduction, (Jan 2001): 1–12.https://doi.org/10.1215/9780822383048-001 “Unvoiced Longings”, (Jan 2001): 13–57.https://doi.org/10.1215/9780822383048-002 Swan Songs and Art Songs, (Jan 2001): 59–111.https://doi.org/10.1215/9780822383048-003 “The Twilight of Aestheticism”, (Jan 2001): 113–166.https://doi.org/10.1215/9780822383048-004 “Beneath the Seeming Informality”, (Jan 2001): 167–217.https://doi.org/10.1215/9780822383048-005 Saving Jazz from Its Friends, (Jan 2001): 219–256.https://doi.org/10.1215/9780822383048-006 Epilogue, (Jan 2001): 257–270.https://doi.org/10.1215/9780822383048-007 Notes, (Jan 2001): 271–309.https://doi.org/10.1215/9780822383048-008 Selected Bibliography, (Jan 2001): 311–323.https://doi.org/10.1215/9780822383048-009 Today; or, Between Emergence and Possibility, (Jan 1998): 17–30.https://doi.org/10.1215/9780822379065-002 The Ethics of Dialogue, (Jan 1998): 31–52.https://doi.org/10.1215/9780822379065-003 “Junk” and the Other, (Jan 1998): 53–72.https://doi.org/10.1215/9780822379065-004 Enjoy Your Chiasmus! 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