Black Bodies, White Science: Louis Agassiz's Slave Daguerreotypes
1995; University of Chicago Press; Volume: 9; Issue: 2 Linguagem: Inglês
10.1086/424243
ISSN1549-6503
Autores Tópico(s)Geographies of human-animal interactions
ResumoPrevious articleNext article No AccessBlack Bodies, White Science: Louis Agassiz's Slave DaguerreotypesBrian WallisBrian WallisPDFPDF PLUS Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinkedInRedditEmail SectionsMoreDetailsFiguresReferencesCited by American Art Volume 9, Number 2Summer 1995 Sponsored by the Smithsonian American Art Museum Article DOIhttps://doi.org/10.1086/424243 Views: 571Total views on this site Citations: 106Citations are reported from Crossref Copyright 1995 Smithsonian InstitutionPDF download Crossref reports the following articles citing this article:Sara Wetzler What faces reveal: Hugh Diamond's photographic representations of mental illness, Endeavour 46, no.33 (Sep 2022): 100812.https://doi.org/10.1016/j.endeavour.2022.100812Sarah Choi Life, Death, or Something in between: Photographic Taxidermy in "Get out" (2017), Quarterly Review of Film and Video 39, no.44 (Mar 2021): 867–889.https://doi.org/10.1080/10509208.2021.1888606Sonja Drimmer Connoisseurship, Art History, and the Paleographical Impasse in Middle English Studies, Speculum 97, no.22 (Mar 2022): 415–468.https://doi.org/10.1086/718763Frederick Charles Staidum Mapping Slavery's Attraction: A Case for an Autoethnographic Digital Humanities, Transforming Anthropology 30, no.11 (Apr 2022): 48–65.https://doi.org/10.1111/traa.12228Anne Maxwell Eugenics and photography in Britain, the USA and Australia 1870–1940, Studies in History and Philosophy of Science 92 (Apr 2022): 71–85.https://doi.org/10.1016/j.shpsa.2022.01.005Frederik H. 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DeLue Art and Science in America DeLue, American Art 23, no.22 (Jul 2015): 2–9.https://doi.org/10.1086/605702Philippa Levine States of Undress: Nakedness and the Colonial Imagination, Victorian Studies 50, no.22 (Jan 2008): 189–219.https://doi.org/10.2979/VIC.2008.50.2.189Molly Rogers The slave daguerreotypes of the Peabody Museum: Scientific meaning and utility, History of Photography 30, no.11 (Jan 2015): 39–54.https://doi.org/10.1080/03087298.2006.10442838Elspeth H. Brown Racialising the Virile Body: Eadweard Muybridge's Locomotion Studies 1883-1887, Gender History 17, no.33 (Nov 2005): 627–656.https://doi.org/10.1111/j.0953-5233.2005.00399.xCécile Whiting More Than Meets the Eye: Archibald Motley and Debates on Race in Art, Prospects 26 (Jul 2009): 449–476.https://doi.org/10.1017/S0361233300001009Gwyniera Isaac Louis Agassiz's photographs in Brazil: Separate creations, History of Photography 21, no.11 (Jan 2015): 3–11.https://doi.org/10.1080/03087298.1997.10443712Agnes Lugo-Ortiz, Angela Rosenthal Envisioning Slave Portraiture, (): 1–38.https://doi.org/10.1017/CBO9781139021845.001
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