Introduction: does Shakespeare's life matter?
2009; Taylor & Francis; Volume: 23; Issue: 2 Linguagem: Inglês
10.1080/09502360902760216
ISSN1470-1308
Autores Tópico(s)Shakespeare, Adaptation, and Literary Criticism
ResumoClick to increase image sizeClick to decrease image size Notes Martin Amis, Experience: A Memoir (New York: Vintage, 2000), pp. 229–30. For further discussion, see Richard Bradford, Kingsley Amis (London: Arnold, 1989); id. Richard Bradford, Lucky Him: The Biography of Kingsley Amis (London: Peter Owen, 2001). Gordon Bowker, Malcolm Lowry Remembered (London: BBC, 1987), p. 20. Gordon Bowker, Pursued by Furies: A Life of Malcolm Lowry (London: Heinemann, 1994), pp. 70–1. Bowker, Pursued by Furies, pp. 66–73. See, for example, Harold Love, Scribal Publication in Seventeenth-Century England (Oxford: Clarendon Press, 1993); H. R. Woudhuysen, Sir Philip Sidney and the Circulation of Manuscripts, 1558–1640 (Oxford: Oxford University Press, 1996); Greg Walker, Writing Under Tyranny: English Literature and the Henrician Reformation (Oxford: Oxford University Press, 2005). Sir Fulke Greville's Life of Sir Philip Sidney Etc., First Published 1652, ed. Nowell Smith (Montana: Kessinger, 2007). There are numerous lives of Sidney, including Katherine Duncan-Jones, Sir Philip Sidney: Courtier Poet (London: Hamish Hamilton, 1991); Michael Brennan, The Sidneys of Penshurst and the Monarchy, 1500–1700 (Aldershot: Ashgate, 2006); Roger Howell, Sir Philip Sidney: The Shepherd Knight (London: Hutchinson, 1968); Alan Stewart, Philip Sidney: A Double Life (London: Chatto, 2000); Malcolm M. Wallace, The Life of Sir Philip Sidney (New York, Octagon, 1967, rpt. of 1915). For discussion see, for example, J. G. Nichols, The Poetry of Sir Philip Sidney: An Interpretation in the Context of his Life and Times (Liverpool: Liverpool University Press, 1974); Duncan-Jones, Sidney, ch. 9; Arthur F. Marotti, '"Love is not Love": Elizabethan Sonnet Sequences and the Social Order', ELH 49 (1982), 396–428; Ann Rosalind Jones and Peter Stallybrass, 'The Politics of Astrophil and Stella', Studies in English Literature, 1500–1900, 24 (1984), 53–68. Maurice Evans, ed., Elizabethan Sonnets (London: Dent, 1977). All subsequent references to this edition. On Lord Rich, see Duncan-Jones, Sidney, pp. 198–200. Brian Vickers, In Defence of Rhetoric (Oxford: Clarendon Press, 1988), p. 496. On Sidney's influence and afterlife, see Gavin Alexander, Writing After Sidney: The Literary Response to Sir Philip Sidney, 1586–1640 (Oxford: Oxford University Press, 2006). For a recent discussion, see Benjamin Saunders, 'Circumcising Donne: The 1633 Poems and Readerly Desire', Journal of Medieval and Modern Studies 30 (2000), 375–99. See also J. W. Saunders, 'The Stigma of Print: A Note on the Social Bases of Tudor Poetry', Essays in Criticism 1 (1951), 139–64. Cited in R. C. Bald, John Donne: A Life (Oxford: Clarendon Press, 1970), p. 72. For discussion, see John Carey, John Donne: Life, Mind and Art (London: Faber, rev. ed., 1990), introduction; Andrew Mousley, ed., John Donne: Contemporary Critical Essays (Basingstoke: Macmillan, 1999); Rebecca Ann Bach, '(Re)placing John Donne in the History of Sexuality', ELH 72 (2005), 259–89. Bald, Donne, pp. 172–5. 'John Donne, 'Twickenham Garden', lines 19–27. All references to John Donne, The Complete English Poems (Harmondsworth: Penguin, 1971). Carey, Donne, pp. 65–6. Duncan-Jones, Sidney, pp. 1–3, 182–6, passim; The Collected Works of Mary Sidney Herbert, Countess of Pembroke, ed. Margaret P. Hannay, Noel J. Kinnamon and Michael G. Brennan, 2 vols. (Oxford: Clarendon Press, 1998), introduction. Thomas Docherty, John Donne, Undone (London: Methuen, 1986), pp. 53–9; Carey, Donne, pp. 32–3; James Winny, A Preface to Donne (London: Longman, 1970), pp. 126–8. Donne, Poems, p. 376. Bald, Donne, ch. 7. Izaak Walton, Life of Dr. John Donne in The Lives of John Donne, Sir Henry Wotton, Richard Hooker, George Herbert, Robert Sanderson (London: Oxford University Press, 1927), p. 42. For comment, see Saunders, 'Circumcising Donne', p. 394, footnote 9. Anthony S. G. Edwards, Skelton: The Critical Heritage (London: Routledge, 1981), pp. 56–66. Edmund Spenser, The Faerie Queene, A. C. Hamilton (London: Longman, rev. ed., 2001), VI, 10, 16. All subsequent references to this edition in parentheses in the text. Andrew Hadfield, Literature, Politics and National Identity: Reformation to Renaissance (Cambridge: Cambridge University Press, 1994), pp. 170–71. See, for example, John D. Bernard, Ceremonies of Innocence (Cambridge: Cambridge University Press, 1989); Thomas H. Cain, Praise in The Faerie Queene (Lincoln: Nebraska, 1978). For recent comment, see James Norhnberg, 'Britomart's Gone Abroad to Brute-Land, Colin Clout's Come Courting from the Salvage Ire-land: Exile and Kingdom in Some of Spenser's Fictions for "Crossing Over"', in J. B. Lethbridge, ed., Edmund Spenser: new and Renewed Directions (Madison: Farleigh Dickinson University Press, 2006), pp. 214–85, at pp. 262–6. Richard A. McCabe, 'The Masks of Duessa: Spenser, Mary Queen of Scots and James VI', ELR 17 (1987), pp. 224–42. The locations are represented in A. C. Judson, Spenser in Southern Ireland (Bloomington: The Principia Press, 1933). For comment, see David Norbrook, Poetry and Politics in the English Renaissance (Oxford: Oxford University Press, 2002, rev. ed.), pp. 134–9. Cyndia Susan Clegg, Press Censorship in Elizabethan England (Cambridge: Cambridge University Press, 1997), pp. 81–9. For discussion and analysis, see 'Revenge Her Foul and Most Unnatural Murder? The Impact of Mary Stewart's Execution on Anglo-Scottish Relations', History 85 (2000), 589–612; Susan Doran 'Gender, Religion, and Early Modern Nationalism: Elizabeth I, Mary Queen of Scots, and the Genesis of English Anti-Catholicism', AHR 107 (2002), 739–67. Andrew Hadfield, 'Spenser and the Stuart Succession', Literature and History 13.1 (Spring 2004), 9–24. On Faunus and Pan, see Jane Davidson Reid, ed., The Oxford Guide to Classical Mythology in the Arts, 1300–1990s (Oxford: Oxford University Press, 1993), p. 802. Patricia Merivale, in her entry, 'Pan', fails to mention this vital link: A. C. Hamilton, ed., The Spenser Encyclopaedia (London and Toronto: Routledge: Toronto University Press, 1990), p. 527. For a splendid reading of the complex politics of the poem, see Christopher Warley, Sonnet Sequences and Social Distinction in Renaissance England (Cambridge: Cambridge University Press, 2005), pp. 116–22. McLane, Spenser's Shepheardes Calender, ch. 2. See Lauren Silberman, Transforming Desire: Erotic Knowledge in Books III and IV of The Faerie Queene (Berkeley: University of California Press, 1995), ch. 3. James P. Bednarz, 'Ralegh in Spenser's Historical Allegory', Spenser Studies. 4 (1983), pp. 49–70. For further comment, see Marshall Grossman's essay in this volume. For recent comment, see Park Honan, Shakespeare: A Life (Oxford: Oxford University Press, 1998), pp. 180–91; Katherine Duncan-Jones, Ungentle Shakespeare: Scenes from his Life (London: Thomson, 2000), pp. 215–9. All quotations from William Shakespeare, The Complete Poems and Sonnets, ed. Colin Burrow (Oxford: Oxford University Press, 2002). Andrew Gurr, The Shakespearean Stage, 1574–1642 (Cambridge: Cambridge University Press, 1992), ch. 3; Ian W. Archer, 'Shakespeare's London', in David Scott Kastan, ed., A Companion to Shakespeare (Oxford, Blackwell, 1999), pp. 43–56. See Sasha Roberts, Reading Shakespeare's Poems in early Modern England (Basingstoke: Palgrave, 2003), ch. 2. See Margreta de Grazia, 'The Scandal of Shakespeare's Sonnets', Shakespeare Survey 46 (1994), 35–49. Honan, Shakespeare, p. 263.
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