Introduction: Oral Interpretation and Ethnography in Performance: (Re)Examining the Dangerous Shores 2012
2012; Taylor & Francis; Volume: 32; Issue: 3 Linguagem: Inglês
10.1080/10462937.2012.691314
ISSN1479-5760
AutoresM. Heather Carver, Bryant Keith Alexander,
Tópico(s)Theatre and Performance Studies
ResumoClick to increase image sizeClick to decrease image size Notes 1. This is a direct reference to the June 2012 NCA sponsored Performance Studies Conference, Economies and Ethics of Performance: Performance in/as Communication, held on the campus of Villanova University June 22–24, 2012. 2. In this sense, and recognizing Michael LeVan's shifted metaphor from shores to shoals, it is important to signal a Special Issue of the International Review of Qualitative Research edited by W. Benjamin Myers and Bryant Keith Alexander dedicated to expanding the metaphors for performance beginning with Dwight Conguergood's “caravan” metaphor including contributions by Ron Pelias, David Hanley-Tejeda, W. Benjamin Myers, Season Ellison, Lesa Lockford, Shauna MacDonald, D. Soyini Madison, Della Pollock, Christopher Poulos, John T. Warren, Nicole Defenbaugh, Tami Spry, Karin Schlucker, Claudio Moreira, Hari Stephen Kumar, and Bryant Keith Alexander. Additional informationNotes on contributorsM. Heather CarverM. Heather Carver is Associate Professor of Performance Studies in the Department of Theatre at the University of Missouri, ColumbiaBryant Keith AlexanderBryant Keith Alexander is Professor in the Department of Communication Studies and Dean, College of Communication and Fine Arts, Loyola Marymount University
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