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Oral, Written, and Literate Process in the Transmission of Medieval Music

1981; University of Chicago Press; Volume: 56; Issue: 3 Linguagem: Inglês

10.2307/2847738

2040-8072

Leo Treitler,

Musicology and Musical Analysis

Previous articleNext article No AccessOral, Written, and Literate Process in the Transmission of Medieval MusicLeo TreitlerLeo TreitlerPDFPDF PLUS Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinkedInRedditEmail SectionsMoreDetailsFiguresReferencesCited by Speculum Volume 56, Number 3Jul., 1981 The journal of the Medieval Academy of America Article DOIhttps://doi.org/10.2307/2847738 Views: 75Total views on this site Citations: 46Citations are reported from Crossref Copyright 1981 The Medieval Academy of AmericaPDF download Crossref reports the following articles citing this article:Farida Ariyani, Riyan Hidayatullah, Gede Eka Putrawan, Ryzal Perdana, Dedi Sulaeman, Hisham Dzakiria, Shi Yin Translating the Lampung Oral Literature into Music for Educational Purpose: A Case Study of Pisaan on the Indonesian Island of Sumatra, Education Research International 2023 (Feb 2023): 1–11.https://doi.org/10.1155/2023/8643881Valeria Fiszelew La función de la escritura en la formación de la notación musical neumática, Cuadernos CANELA 31, no.00 (Jan 2020): 75–95.https://doi.org/10.2107/canela.31.0_75CHRISTOPHER MACKLIN Stability and change in the composition of a ‘Plague Mass’ in the wake of the Black Death, Plainsong and Medieval Music 25, no.22 (Oct 2016): 167–189.https://doi.org/10.1017/S0961137116000024Jody Enders MEDIEVAL STAGES, Theatre Survey 50, no.22 (Nov 2009): 317–325.https://doi.org/10.1017/S0040557409990093IAN DICKSON Orality and Rhetoric in Scelsi's Music, Twentieth-Century Music 6, no.11 (Jan 2011): 23–41.https://doi.org/10.1017/S1478572210000046Stephen D. Houston The Archaeology of Communication Technologies, Annual Review of Anthropology 33, no.11 (Oct 2004): 223–250.https://doi.org/10.1146/annurev.anthro.33.070203.143724 The Unread Legacy, (Jan 2004): 3–22.https://doi.org/10.1215/9780822386179-001 Universes of the Legible and Theories of Writing, (Jan 2004): 23–40.https://doi.org/10.1215/9780822386179-002 A Flowery Script, (Jan 2004): 41–54.https://doi.org/10.1215/9780822386179-003 Living by the “Book of the Thousand”, (Jan 2004): 55–76.https://doi.org/10.1215/9780822386179-004 The Tupicochan Staff Code, (Jan 2004): 77–108.https://doi.org/10.1215/9780822386179-005 The Khipu Art after the Inkas, (Jan 2004): 109–136.https://doi.org/10.1215/9780822386179-006 The Patrimonial Quipocamayos of Tupicocha, (Jan 2004): 137–184.https://doi.org/10.1215/9780822386179-007 Ayllu Cords and Ayllu Books, (Jan 2004): 185–208.https://doi.org/10.1215/9780822386179-008 The Half-Life and Afterlife of an Andean Medium, (Jan 2004): 209–236.https://doi.org/10.1215/9780822386179-009 Toward Synthetic Interpretation, (Jan 2004): 237–266.https://doi.org/10.1215/9780822386179-010 Conclusions, (Jan 2004): 267–282.https://doi.org/10.1215/9780822386179-011 Notes, (Jan 2004): 283–294.https://doi.org/10.1215/9780822386179-012 References, (Jan 2004): 299–316.https://doi.org/10.1215/9780822386179-013 Carol Symes The Appearance of Early Vernacular Plays: Forms, Functions, and the Future of Medieval Theater, Speculum 77, no.33 (Oct 2015): 778–831.https://doi.org/10.2307/3301114Brad Maiani Approaching the Communion Melodies, Journal of the American Musicological Society 53, no.22 (Jul 2000): 209–290.https://doi.org/10.2307/832009Joseph Dyer Tropis semper variantibus : Compositional strategies in the offertories of Old Roman chant, Early Music History 17 (Dec 2008): 1–60.https://doi.org/10.1017/S0261127900001601Sam Barrett Music and writing: On the compilation of Paris Bibliothèque Nationale lat. 1154, Early Music History 16 (Dec 2008): 55–96.https://doi.org/10.1017/S0261127900001698Warwick Edwards Phrasing in medieval song: perspectives from traditional music, Plainsong and Medieval Music 5, no.11 (Sep 2008): 1–22.https://doi.org/10.1017/S0961137100001042Regula Burckhardt Qureshi Music Anthropologies and Music Histories: A Preface and an Agenda, Journal of the American Musicological Society 48, no.33 (Oct 1995): 331–342.https://doi.org/10.2307/3519830Rosamond McKitterick Introduction: sources and interpretation, (Sep 1995): 1–17.https://doi.org/10.1017/CHOL9780521362924.002John J. Contreni The Carolingian renaissance: education and literary culture, (Sep 1995): 709–757.https://doi.org/10.1017/CHOL9780521362924.030 James Grier A New Voice in the Monastery: Tropes and Versus from Eleventh- and Twelfth-Century Aquitaine, Speculum 69, no.44 (Oct 2015): 1023–1069.https://doi.org/10.2307/2865604John Spitzer "Oh! Susanna": Oral Transmission and Tune Transformation, Journal of the American Musicological Society 47, no.11 (Apr 1994): 90–136.https://doi.org/10.2307/3128837Bernadette A. Masters Anglo-Norman in Context: The Case for the Scribes, Exemplaria 6, no.11 (Jul 2013): 167–203.https://doi.org/10.1179/exm.1994.6.1.167James Grier Scribal Practices in the Aquitanian Versaria of the Twelfth Century: Towards a Typology of Error and Variant, Journal of the American Musicological Society 45, no.33 (Oct 1992): 373–427.https://doi.org/10.2307/831713Frank Alvarez-Pereyre From the Temptation for Purity to the Necessity of Unity, Diogenes 40, no.159159 (Jul 2016): 95–135.https://doi.org/10.1177/039219219204015908Jody Enders Music, Delivery, and the Rhetoric of Memory in Guillaume de Machaut's Remède de Fortune, PMLA/Publications of the Modern Language Association of America 107, no.33 (Oct 2020): 450–464.https://doi.org/10.2307/462754Leo Treitler The "Unwritten" and "Written Transmission" of Medieval Chant and the Start-Up of Musical Notation, The Journal of Musicology 10, no.22 (Apr 1992): 131–191.https://doi.org/10.2307/763611Kenneth Levy On Gregorian Orality, Journal of the American Musicological Society 43, no.22 (Jul 1990): 185–227.https://doi.org/10.2307/831614 D. H. Green Orality and Reading: The State of Research in Medieval Studies, Speculum 65, no.22 (Oct 2015): 267–280.https://doi.org/10.2307/2864293Jeffrey Kittay On notation, Language & Communication 10, no.22 (Jan 1990): 149–165.https://doi.org/10.1016/0271-5309(90)90031-6James Grier The Stemma of the Aquitanian Versaria, Journal of the American Musicological Society 41, no.22 (Jul 1988): 250–288.https://doi.org/10.2307/831434Anne Walters Robertson Benedicamus Domino: The Unwritten Tradition, Journal of the American Musicological Society 41, no.11 (Apr 1988): 1–62.https://doi.org/10.2307/831750Kenneth Levy Charlemagne's Archetype of Gregorian Chant, Journal of the American Musicological Society 40, no.11 (Apr 1987): 1–30.https://doi.org/10.2307/831580Katherine O'Brien O'Keeffe Orality and the Developing Text of Caedmon's Hymn, Speculum 62, no.11 (Oct 2015): 1–20.https://doi.org/10.2307/2852564Leo Treitler Reading and singing: on the genesis of occidental music-writing, Early Music History 4 (Dec 2008): 135–208.https://doi.org/10.1017/S0261127900000449MICHAEL CURSCHMANN HÖREN – LESEN – SEHEN. Buch und Schriftlichkeit im Selbstverständnis der volkssprachlichen literarischen Kultur Deutschlands um 1200, Beiträge zur Geschichte der deutschen Sprache und Literatur (PBB) 1984, no.106106 (Jan 1984).https://doi.org/10.1515/bgsl.1984.1984.106.218M. T. Gibson, M. Lapidge, C. Page Neumed Boethian metra from Canterbury: a newly recovered leaf of Cambridge, University Library, Gg. 5.35 (the ‘Cambridge Songs’ manuscript), Anglo-Saxon England 12 (Sep 2008): 141–152.https://doi.org/10.1017/S0263675100003380 Auswahlbibliographie 1981/82, Internationales Archiv für Sozialgeschichte der deutschen Literatur (IASL) 8, no.11 (Jan 1983).https://doi.org/10.1515/iasl.1983.8.1.314Edward H. Roesner Johannes de Garlandia on organum in speciali, Early Music History 2 (Dec 2008): 129–160.https://doi.org/10.1017/S0261127900002102