Music, Historical Knowledge, and Critical Inquiry: Three Variations on The Ruins of Athens
2005; University of Chicago Press; Volume: 32; Issue: 1 Linguagem: Inglês
10.1086/498004
ISSN1539-7858
Autores Tópico(s)Musicology and Musical Analysis
ResumoPrevious articleNext article No AccessMusic, Historical Knowledge, and Critical Inquiry: Three Variations on The Ruins of AthensLawrence KramerLawrence Kramer Search for more articles by this author PDFPDF PLUSFull Text Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinkedInRedditEmail SectionsMoreDetailsFiguresReferencesCited by Critical Inquiry Volume 32, Number 1Autumn 2005 Article DOIhttps://doi.org/10.1086/498004 Views: 60Total views on this site Citations: 5Citations are reported from Crossref ©2005 by The University of Chicago.PDF download Crossref reports the following articles citing this article:Dariusz Gafijczuk Anxious Geographies — Inhabited Traditions, (Jan 2013): 178–193.https://doi.org/10.1057/9781137305862_10Christopher Naughton ‘Heidegger and Joe:’ Revisiting the ‘ thing ’ in the context of a student's experience of an online community, British Journal of Music Education 29, no.33 (Sep 2012): 331–341.https://doi.org/10.1017/S0265051712000307BRIGID COHEN Diasporic Dialogues in Mid-Century New York: Stefan Wolpe, George Russell, Hannah Arendt, and the Historiography of Displacement, Journal of the Society for American Music 6, no.22 (May 2012): 143–173.https://doi.org/10.1017/S1752196312000028María Rosa Olivera-Williams The Twentieth Century as Ruin: Tango and Historical Memory, (Jan 2009): 95–106.https://doi.org/10.1057/9780230623279_9DALE CHAPMAN “That Ill, Tight Sound”: Telepresence and Biopolitics in Post-Timbaland Rap Production, Journal of the Society for American Music 2, no.22 (May 2008): 155–175.https://doi.org/10.1017/S175219630808005X
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