Jean Froissart and the Fabric of History: Truth, Myth, and Fiction in the Chroniques.
1992; Oxford University Press; Volume: 97; Issue: 4 Linguagem: Inglês
10.2307/2165549
ISSN1937-5239
AutoresPeter F. Dembowski, Peter Ainsworth,
Tópico(s)Medieval European Literature and History
ResumoAbbreviations Introduction Part I: Representations - Froissart and the discourse of history: Telling the truth: the discourse of history Chronicle, history, romance Of verse and prose The 'lost' chronicle History and ideology in fourteenth-century France Knight, Magnate, King and Clerk: Froissart's vision of aristocratic and military society War and chivalry Kings, barons, clerks, and peasants Part II: Transgrassions - L'estoire and its fortunes: Bending the truth: Ceci n'est pas un conte - Froissart, Merigot Marches, and the well-ordered narrative Anecdote, tale, and nouvelle Black, white, and grey - a tomb embellished The quest for truth: Je, sire Jehan Froissart, fay narracion ... -Froissart-Scriptor and the metaphor of the journey Knife, key, bear, and book: poisoned metonymies and the problem of translatio The transmission of truth: the theme of translatio in the later Chroniques 'Jones et a venir': promise or folly in the young king Magnates, Marmousets, and marmousets Translatio militii Part III: Image-building - The rewriting (and re-reading) of Book I: Re-writing the past: dramatic 'landscape' in the Rome Manuscript The Orwell 'landscape' and the invasion of 1325 Sources, significance, tradition Meliador and the Isle of Man Creating an image: Edward III in the Rome Manuscript changing ethos The apprentice king A tout le mains faites asambler vous hommes et vostre consel: Edward III and his counsellors Confiance, vaillance et sagesse? Li senglers de Windesore Lessons and trials: Edward the wise Conclusion Bibliography Index
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