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Order and fantasy: an interview with Aaron Siskind

1999; Taylor & Francis; Volume: 15; Issue: 3 Linguagem: Inglês

10.1080/02666286.1999.10443990

1943-2178

Richard Howells,

Visual Culture and Art Theory

Abstract When Aaron Siskind died in February 1991, the London Independent asked: ‘Has there ever been a greater photographer?’1 His embracement of formal abstraction was, according to The Times of London, significant ‘for the whole future of art photography.’1