Music in American Culture
1955; Wiley; Volume: 57; Issue: 6 Linguagem: Inglês
10.1525/aa.1955.57.6.02a00080
ISSN1548-1433
Autores Tópico(s)Music History and Culture
ResumoAmerican AnthropologistVolume 57, Issue 6 p. 1173-1181 Free Access Music in American Culture ALAN P. MERRIAM, ALAN P. MERRIAM University of Wisconsin (Milwaukee)Search for more papers by this author ALAN P. MERRIAM, ALAN P. MERRIAM University of Wisconsin (Milwaukee)Search for more papers by this author First published: December 1955 https://doi.org/10.1525/aa.1955.57.6.02a00080AboutPDF ToolsExport citationAdd to favoritesTrack citation ShareShare Give accessShare full text accessShare full-text accessPlease review our Terms and Conditions of Use and check box below to share full-text version of article.I have read and accept the Wiley Online Library Terms and Conditions of UseShareable LinkUse the link below to share a full-text version of this article with your friends and colleagues. Learn more.Copy URL REFERENCES CITED Anonymous 1917 The appeal of the primitive jazz. Literary Digest 55 (Aug. 25): 28– 9. Anonymous 1954 Word germs. Time 64 (July 12): 75, 76. Apel, Willi 1946 Folk song. In Harvard Dictionary of Music, pp. 274– 76. Cambridge, Mass., Harvard University Press. Bascom, William R. 1953 Folklore and anthropology. Journal of American Folklore 66: 283– 90. Becker, Howard S. 1951 The professional dance musician and his audience. American Journal of Sociology 57: 136– 44. Becker, Howard S. 1953 Some contingencies of the professional dance musician's career. Human Organization 12: 22– 26. Berger, Morroe 1947 Jazz: resistance to the diffusion of a culture pattern. Journal of Negro History 32: 461– 94. Bernstein, Leonard 1947 Jazz forum: has jazz influenced the symphony Yes. Esquire 27 (Feb.): 152– 53. Borneman, Ernest 194445 An anthropologist looks at jazz. Record Changer 3– 4. Borneman, Ernest 1946 A critic looks at jazz. London, Jazz Music Books. Goffin, Robert 1948 Nouvelle histoire du jazz. Bruxelles, L'Ecran du Monde. Herskovits, Melville J. 1941 The myth of the Negro past. New York, Harper. Herzog, George 1938 The study of folksong in America. Southern Folklore Quarterly 2: 59– 64. Jackson, George Pullen 1943 White and Negro spirituals. New York, J. J, Augustin. Lastrucci, Carlo L. 1941 The professional dance musician. Journal of Musicology 3: 168– 72. Merriam, Alan P. 1952 The African background: an answer to Barry Ulanov. Record Changer 9 (Nov.): 7– 8. Merriam, Alan P. 1955 The use of music in the study of a problem of acculturation. American Anthropologist 57: 28– 34. Slotkin, J. S. 1943 Jazz and its forerunners as an example of acculturation, American Sociological Review 8: 570– 75. Ulanov, Barry 1950 A history of jazz. Metronome 66 (July): 18– 19. Ulanov, Barry 1952 A history of jazz in America. New York, Viking. Waterman, Richard A. 1948 “Hot” rhythm in Negro music. Journal of the American Musicological Society 1: 3– 16. (In reprint). Waterman, Richard A. 1951 Gospel hymns of a Negro church in Chicago. Journal of the International Folk Music Council 3: 87– 93. Waterman, Richard A. 1952 African influence on the music of the Americas. In Acculturation in the Americas, ed. Sol Tax, pp. 207– 18. Chicago, University of Chicago Press. Volume57, Issue6December 1955Pages 1173-1181 ReferencesRelatedInformation
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