Writing, representation, and postcolonial nostalgia
2009; Taylor & Francis; Volume: 23; Issue: 6 Linguagem: Inglês
10.1080/09502360903361709
ISSN1470-1308
Autores Tópico(s)Nostalgia and Consumer Behavior
ResumoClick to increase image sizeClick to decrease image size Notes This paper is a revised version of papers delivered at the Universities of Brunel, Edinburgh and Kent in 2004. E.J. Hobsbawm, The Age of Empire: 1875–1914 (London: Abacus, 1989), p. 3. Ibid. See Graham Huggan, The Postcolonial Exotic: Marketing the Margins (London: Routledge, 2001). Jonathan Freedland, ‘Sixty Years on, D-day Veterans Pass Torch into the Hands of History’, The Guardian, 7 (2004), p. 1. Anne Frank, Diary of a Young Girl, The Definitive Edition, Otto H. Frank and Mirjam Pressler (eds.), trans. Susan Massotty (London: Viking, 2001), pp. 314–315. Annie E. Coombs, History After Apartheid: Visual Culture and Public Memory in a Democratic South Africa (Durham, NC; London: Duke University Press, 2003), pp. 230–242. Until recently the term ‘San’ was thought less derogatory than ‘Bushmen’; but ‘San’ is in fact an insulting Khoi term for the Bushmen, who now prefer the latter. Zakes Mda, ‘“Introduction” to John Kani’, Nothing But the Truth (Johannesburg: Witwatersrand University Press, 2002), pp. viii–ix. Jacques Lacan, ‘Desire and the Interpretation of Desire in Hamlet’ (1959), reptd in Peter Brooker and Peter Widdowson (eds.), A Practical Reader in Contemporary Literary Theory (London: Harvester/Prentice-Hall, 1996), p. 26. William Shakespeare, The Tragedy of Hamlet, Prince of Denmark, The Norton Shakespeare, S. Greenblatt, W. Cohen, J.E. Howard, K.E. Maus (eds.) (New York, London: W.W. Norton, 1997), 3.1., 95–96, p. 1706. See Avishai Margalit, The Ethics of Memory (Cambridge, MA; London: Harvard University Press, 2002). For a history of nostalgia, see Jean Starobinski, ‘The Idea of Nostalgia’, Diogenes, 54 (1966), pp. 81–103. Also, Fred Davis, Yearning for Yesterday: A Sociology of Nostalgia (New York: Free Press, 1979). Jorge Luis Borges, ‘Funes the Memorius’, Donald A. Yates and James I. Irby (eds.), Labyrinths (London: Penguin Books, 1970), p. 87. Gcina Mhlophe, ‘Have You Seen Zandile?’ in Kathy A. Perkins (ed.), Black South African Women: An Anthology of Plays (New York and London: Routledge, 1998), p. 101. Svetlana Boym, The Future of Nostalgia (New York: Basic Books, 2001), pp. 41, 257. See Sarah Nuttall and Carli Coetzee (eds.), Negotiating the Past: The Making of Memory in South Africa (Cape Town: Oxford University Press, 1998). Jean-Jacques Rousseau, Confessions (1783), ed. and intro. Patrick Coleman, trans. Angela Scholar (Oxford: World's Classics, 2000), p. 20. Jean Baudrillard, ‘The Evil Demon of Images’, 1987, reptd in Thomas Docherty (ed.) Postmodernism: A Reader (Hemel Hempstead: Harvester Wheatsheaf, 1992), p. 194. Robert Hughes, Nothing if Not Critical (London: Harvill, 2001), pp. 139–141. Sylvia Plath, ‘The Colossus’, Ted Hughes (ed.) Collected Poems (Boston, London: Faber and Faber, 1981), pp. 129–130. Griselda Pollock, ‘Territories of Desire: Reconsiderations of an African Childhood’ in George Robertson et al (ed.) Travellers' Tales: Narratives of Home and Displacement (London, New York: Routledge, 1994), p. 80. Gilles Plazy, Le Douanier Rousseau: un naïf dans la jungle (Paris: Gallimard, 1992), pp. 52–54. See Roger Shattuck, The Banquet Years: The Origins of the Avant-Garde in France 1885 to World War One, rev edn (New York: Vintage, 1968), pp. 66–71. See Lynne Thornton, Women as Portrayed in Orientalist Painting (Paris: ACR Edition PocheCouleur, 1994), for example. See Jonathan Crewe, ‘Recalling Adamastor’, Acts of Memory: Cultural Recall in the Present, Mieke Bal et al. (eds.) (Hanover, London: Dartmouth/New England Press, 1999), pp. 81–85. Justin Cartwright, White Lightning (London: Sceptre, 2002), p. 200.
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