Genesis of the Media Concept
2009; University of Chicago Press; Volume: 36; Issue: 2 Linguagem: Inglês
10.1086/648528
ISSN1539-7858
Autores Tópico(s)Visual Culture and Art Theory
ResumoPrevious articleNext article No AccessGenesis of the Media ConceptJohn GuilloryJohn Guillory Search for more articles by this author PDFPDF PLUSFull Text Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinkedInRedditEmailPrint SectionsMoreDetailsFiguresReferencesCited by Critical Inquiry Volume 36, Number 2Winter 2010 Article DOIhttps://doi.org/10.1086/648528 Views: 1430Total views on this site Citations: 131Citations are reported from Crossref © 2010 by The University of Chicago. 00093-1896/10/3602-0004$10.00. All rights reserved.PDF download Crossref reports the following articles citing this article:Dominic Bentley‐Hussey, Brecht de Groote Performative translation, and the impossibility of Romantic mediation in Thomas Carlyle's Sartor Resartus (1834), Orbis Litterarum 54 (Jun 2023).https://doi.org/10.1111/oli.12403Brecht de Groote Translation as cultural technique, Target. 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First Fish, Then Mediation, (Apr 2021): 1–27.https://doi.org/10.1215/9781478012139-001 The Plant, (Apr 2021): 45–78.https://doi.org/10.1215/9781478012139-002 Credit and Common Sense, (Apr 2021): 79–110.https://doi.org/10.1215/9781478012139-003 Meta Incognita, (Apr 2021): 120–149.https://doi.org/10.1215/9781478012139-004 The Promise of Extraction, (Apr 2021): 153–173.https://doi.org/10.1215/9781478012139-005 Notes, (Apr 2021): 181–201.https://doi.org/10.1215/9781478012139-006 Bibliography, (Apr 2021): 203–215.https://doi.org/10.1215/9781478012139-007 The Way It Was, St. Anthony, 2011, (Apr 2021): 111–119.https://doi.org/10.1215/9781478012139-111 Slow Disturbance, “Channel 12”, (Apr 2021): 150–152.https://doi.org/10.1215/9781478012139-150 Slow Disturbance, “Samsung, High-Speed Mechanism”, (Apr 2021): 174–175.https://doi.org/10.1215/9781478012139-174 The Way It Was, St. Anthony, 1997, (Apr 2021): 176–180.https://doi.org/10.1215/9781478012139-176 The Way It Was, St. Anthony, 1959, (Apr 2021): 28–44.https://doi.org/10.1215/9781478012139-28 Slow Disturbance, “5 Canada”, (Apr 2021): 78–78.https://doi.org/10.1215/9781478012139-78Samuel Mateus In medias res – the mediation conundrum, Communications 46, no.11 (Feb 2020): 95–112.https://doi.org/10.1515/commun-2020-2079Catalina Esguerra Afectando el conflicto: Mediaciones de la guerra en el arte y cine contemporáneo, Ruben Darío Yepes Muñoz (2018), Studies in Spanish & Latin American Cinemas 18, no.11 (Mar 2021): 105–107.https://doi.org/10.1386/slac_00039_5 Introduction, (Jan 2021): 1–22.https://doi.org/10.1215/9781478012795-001 Voice Prints, (Jan 2021): 23–60.https://doi.org/10.1215/9781478012795-002 Communities in Transition, (Jan 2021): 61–102.https://doi.org/10.1215/9781478012795-003 Tomorrow is the Question!, (Jan 2021): 103–141.https://doi.org/10.1215/9781478012795-004 Body/Language, (Jan 2021): 143–179.https://doi.org/10.1215/9781478012795-005 Notes, (Jan 2021): 195–233.https://doi.org/10.1215/9781478012795-006 Bibliography, (Jan 2021): 235–253.https://doi.org/10.1215/9781478012795-007 Coda, (Jan 2021): 181–194.https://doi.org/10.1215/9781478012795-181 Chapter 12. 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Karioris Towards an Intersectional Approach to Patriarchy: Male Homosociality in an American Context, IDS Bulletin 45, no.11 (Jan 2014): 104–110.https://doi.org/10.1111/1759-5436.12075 Introduction, (Jan 2014): 1–20.https://doi.org/10.1215/9780822376767-001 A Short History of_________, (Jan 2014): 21–52.https://doi.org/10.1215/9780822376767-002 The Typescript Book, (Jan 2014): 53–82.https://doi.org/10.1215/9780822376767-003 Xerographers of the Mind, (Jan 2014): 83–110.https://doi.org/10.1215/9780822376767-004 Near Print and Beyond Paper, (Jan 2014): 111–135.https://doi.org/10.1215/9780822376767-005 Afterword, (Jan 2014): 136–150.https://doi.org/10.1215/9780822376767-006 Notes, (Jan 2014): 151–187.https://doi.org/10.1215/9780822376767-007 Works Cited, (Jan 2014): 189–204.https://doi.org/10.1215/9780822376767-008David Russell Aesthetic Liberalism: John Stuart Mill as Essayist, Victorian Studies 56, no.11 (Oct 2013): 7–30.https://doi.org/10.2979/victorianstudies.56.1.7DEIRDRE LOUGHRIDGE Magnified Vision, Mediated Listening and the ‘Point of Audition’ of Early Romanticism, Eighteenth Century Music 10, no.0202 (Aug 2013): 179–211.https://doi.org/10.1017/S1478570613000043Jason E. 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