Sexual Politics and the Aesthetics of Crime: Oscar Wilde in the Nineties
2002; Johns Hopkins University Press; Volume: 69; Issue: 2 Linguagem: Inglês
10.1353/elh.2002.0014
ISSN1080-6547
Autores Tópico(s)American History and Culture
ResumoAt the center of G. K. Chesterton's The Man who was Thursday (1908) is a band of master anarchists, each named for one of the days of the week, all of whom are ultimately revealed in the course of the novel to be undercover detectives. One of them explains what they think they are fighting against:
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