“Cinema in the Hands of the People”: Chris Marker, the Medvedkin Group, and the Potential of Militant Film
2012; The MIT Press; Volume: 139; Linguagem: Inglês
10.1162/octo_a_00083
ISSN1536-013X
Autores Tópico(s)French Historical and Cultural Studies
Resumo* This paper developed out of a seminar on postwar European art, directed by Benjamin Buchloh at Harvard University in 2010. I owe my foremost thanks to Buchloh, who supported this project from its inception, and to Malcolm Turvey, for his invaluable editorial critique. Thanks are also due to Maria Gough, my colleagues in the seminar, ISKRA, the Harvard Film Archives, and, for their generous advice on early drafts, Samuel Johnson, Kevin Lotery, and Annie Rudd. 1. August Villiers de l’Isle-Adam, “Tableau de Paris,” Le Tribun du Peuple (19 May 1871). Reproduced in La Commune de Paris Aujourd’hui, ed. Jacques Zwirn (Paris: Les Editions de l’Atelier, 1999), p. 139. All translations are my own, unless otherwise specified. 2. Nicolas Sarkozy, “Discours a Besancon, 13 Mars, 2007,” n.p., sites.univ-provence.fr/veronis/ Discours2007transcript.php?n=Sarkozy&p=2007-03-13 (accessed September 1, 2011). Approach the groups, listen. A whole population is discussing serious matters, and for the first time workers can be heard exchanging their views on problems which until now have been broached only by philosophers.
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