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Commercialization of the Rap Music Youth Subculture

1993; Wiley; Volume: 27; Issue: 3 Linguagem: Inglês

10.1111/j.0022-3840.1993.00021.x

1540-5931

M. Elizabeth Blair,

Social and Cultural Dynamics

The Journal of Popular CultureVolume 27, Issue 3 p. 21-33 Commercialization of the Rap Music Youth Subculture M. Elizabeth Blair, M. Elizabeth Blair M. Elizabeth Blair is an Assistant Professor of Marketing at Ohio University in Athens, Ohio.Search for more papers by this author M. Elizabeth Blair, M. Elizabeth Blair M. Elizabeth Blair is an Assistant Professor of Marketing at Ohio University in Athens, Ohio.Search for more papers by this author First published: Winter 1993 https://doi.org/10.1111/j.0022-3840.1993.00021.xCitations: 25AboutPDF ToolsRequest permissionExport citationAdd to favoritesTrack citation ShareShare Give accessShare full text accessShare full-text accessPlease review our Terms and Conditions of Use and check box below to share full-text version of article.I have read and accept the Wiley Online Library Terms and Conditions of UseShareable LinkUse the link below to share a full-text version of this article with your friends and colleagues. Learn more.Copy URL Share a linkShare onEmailFacebookTwitterLinkedInRedditWechat Works Cited Adler, Jerry, Jennifer Foote, and Ray Sawhill. The Rap Attitude. Newsweek 19 Mar. 1990: 56–59. DiPrima, Dominique. Beat The Rap. Mother Jones Sept.Oct. 1990: 32–36, 80–82. Domhoff, G. Williams. Who Rules America? Englewood Cliffs , NJ : Prentice, 1967. Frith, Simon. Industrialization of Popular Music. Popular Music and Communication. 2nd ed. Ed. James Lull. Newbury Park , CA : Sage, 1992: 49–74. Gitlin, Todd. Prime Time Ideology: The Hegemonic Process in Television Entertainment. Social Problems Feb. 1979: 251–66. Goodwin, Andrew. Rationalization and Democratization. Popular Music and Communication. 2nd ed. Ed. James Lull. Newbury Park , CA : Sage, 1992. 75–100. Gottdiener, Mark. Hegemony and Mass Culture: A Semiotic Approach. American Journal of Sociology 90.5 (1985): 979–1001. Gramsci, Antonio. Selections from the Prison Notebooks. Eds. Quentin Hoare and Geoffrey Smith. London : Lawrence and Wishart, 1971. Hanna, Judith Lynne. Popular Music and Social Dance. Popular Music and Communication. 2nd ed. Ed. James Lull. Newbury Park , CA : Sage, 1992: 176–95. Lull, James. Popular Music and Communication: An Introduction. Popular Music and Communication. 2nd ed. Ed. James Lull. Newbury Park , CA : Sage, 1992: 1–32. Marx, Karl, and Friedrich Engels. The German Ideology. New York : International P, 1969. McKinney, Rhoda E. What's Behind The Rise Of Rap. Ebony June 1989: 66–70. Peterson, Richard A., and David G. Berger. Cylces in Symbol Production: The Case of Popular Music. American Sociological Review Apr. 1975: 158–73. Riesman, David. Listening To Popular Music. American Quarterly 1 (1950): 359–71. Sallach, David L. Class Domination and Ideological Hegemony. The Sociological Quarterly Winter 1974: 38–50. Toop, David. The Rap Attack. Boston : South End, 1984. Vallas, Steven Peter. Workers, Firms and the Dominant Ideology: Hegemony and Consciousness in the Monopoly Core. The Sociological Quarterly 32.1 (1991): 61–83. Wicke, Peter. Rock Music: Culture, Aesthetics and Sociology. Cambridge : Cambridge UP, 1990. Citing Literature Volume27, Issue3Winter 1993Pages 21-33 ReferencesRelatedInformation