Trial Index to Some Unpublished Sources for the History of Mediaeval Craftsmanship
1935; University of Chicago Press; Volume: 10; Issue: 4 Linguagem: Inglês
10.2307/2846778
ISSN2040-8072
Autores Tópico(s)Building materials and conservation
ResumoPrevious articleNext article No AccessTrial Index to Some Unpublished Sources for the History of Mediaeval CraftsmanshipDaniel V. Thompson, Jr.Daniel V. Thompson, Jr. Search for more articles by this author PDFPDF PLUS Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinkedInRedditEmail SectionsMoreDetailsFiguresReferencesCited by Speculum Volume 10, Number 4Oct., 1935 The journal of the Medieval Academy of America Article DOIhttps://doi.org/10.2307/2846778 Views: 17Total views on this site Citations: 11Citations are reported from Crossref Copyright 1935 The Mediaeval Academy of AmericaPDF download Crossref reports the following articles citing this article:Guido Frison, Giulia Brun Compositiones Lucenses and Mappæ Clavicula: two traditions or one? New evidence from empirical analysis and assessment of the literature, Heritage Science 6, no.11 (Apr 2018).https://doi.org/10.1186/s40494-018-0189-yPaola Ricciardi, Anuradha Pallipurath, Kristine Rose ‘It's not easy being green’: a spectroscopic study of green pigments used in illuminated manuscripts, Analytical Methods 5, no.1616 (Jan 2013): 3819.https://doi.org/10.1039/c3ay40530cAntónio João Cruz, Luís Urbano Afonso On the Date and Contents of a Portuguese Medieval Technical Book on Illumination, The Medieval History Journal 11, no.11 (May 2008): 1–28.https://doi.org/10.1177/097194580701100101Nigel J. Morgan, Rodney M. Thomson The Cambridge History of the Book in Britain, 2 (Nov 2008).https://doi.org/10.1017/CHOL9780521782180Patricia Roger, Inès Villela-Petit, Solène Vandroy Les laques de brésil dans I'enluminure médiévale, Studies in Conservation 48, no.33 (Jul 2013): 155–170.https://doi.org/10.1179/sic.2003.48.3.155Christoph Krekel Book Review, Studies in Conservation 46, no.44 (Jul 2013): 304–304.https://doi.org/10.1179/sic.2001.46.4.304Anna Hulbert English fourteenth-century interior polychromy: manuscript sources and workshop practice at Exeter Cathedral, Studies in Conservation 43, no.sup1sup1 (Dec 2013): 35–39.https://doi.org/10.1179/sic.1998.43.Supplement-1.35Jill Dunkerton, Jo Kirby, Raymond White VARNISH AND EARLY ITALIAN TEMPERA PAINTINGS, Studies in Conservation 35, no.sup1sup1 (Jul 2014): 63–69.https://doi.org/10.1179/sic.1990.35.s1.015Mary Virginia Orna, Manfred J.D. Low, Norbert S. Baer Synthetic blue pigments: ninth to sixteenth centuries. I. Literature, Studies in Conservation 25, no.22 (Jul 2013): 53–63.https://doi.org/10.1179/sic.1980.25.2.53Eleanor Webster Bulatkin The Spanish Word ‘Matiz': Its Origin and Semantic Evolution in the Technical Vocabulary of Medieval Painters, Traditio 10 (Jul 2016): 459–527.https://doi.org/10.1017/S0362152900005936 Rozelle Parker Johnson The Manuscripts of the Schedula of Theophilus Presbyter, Speculum 13, no.11 (Oct 2015): 86–103.https://doi.org/10.2307/2848834
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