Artigo Revisado por pares

The Damsel, the Knight, and the Victorian Woman Poet

1986; University of Chicago Press; Volume: 13; Issue: 1 Linguagem: Inglês

10.1086/448373

ISSN

1539-7858

Autores

Dorothy Mermin,

Tópico(s)

German Literature and Culture Studies

Resumo

Previous articleNext article No AccessThe Damsel, the Knight, and the Victorian Woman PoetDorothy MerminDorothy MerminPDFPDF PLUS Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinkedInRedditEmail SectionsMoreDetailsFiguresReferencesCited by Critical Inquiry Volume 13, Number 1Autumn, 1986 Article DOIhttps://doi.org/10.1086/448373 Views: 43Total views on this site Citations: 12Citations are reported from Crossref Copyright 1986 The University of ChicagoPDF download Crossref reports the following articles citing this article:Martin Bidney Feminine Renunciation and Power in the Epiphanies of Christina Rossetti: Fat Jewel-Fruit-Orbs, Thin Aery Flame-Sails, Interdisciplinary Literary Studies 20, no.33 (Sep 2018): 313–339.https://doi.org/10.5325/intelitestud.20.3.0313Salma Backroush Almaleki A Feminist Reading of Kizer's 'Persephone Pauses', SSRN Electronic Journal (Jan 2018).https://doi.org/10.2139/ssrn.3127215Marion Thain Lyric, (Aug 2015): 1–7.https://doi.org/10.1002/9781118405376.wbevl193Sarah Parker The Muse Writes Back: Lyric Poetry and Female Poetic Identity, (Jan 2015): 89–108.https://doi.org/10.1057/9781137505484_6Michael Tosin Gbogi Refiguring the subversive in Elizabeth Barrett Browning's Aurora Leigh and Christina Rossetti's "Goblin Market", Neohelicon 41, no.22 (Apr 2014): 503–516.https://doi.org/10.1007/s11059-014-0233-1Sarah Parker 'A Girl's Love': Lord Alfred Douglas as Homoerotic Muse in the Poetry of Olive Custance, Women: A Cultural Review 22, no.2-32-3 (Sep 2011): 220–240.https://doi.org/10.1080/09574042.2011.585045Rachel Crawford Paula R. Backscheider, Eighteenth‐Century Women Poets and Their Poetry: Inventing Agency, Inventing Genre Corbett, Modern Philology 106, no.22 (Jul 2015): 293–297.https://doi.org/10.1086/598554 Bibliography of Secondary Sources, (Nov 2007): 553–590.https://doi.org/10.1002/9780470997147.biblioTOMOKO TAKIGUCHI The Death of a Woman Artist: The Female Other in Letitia Landon's Dramatic Monologue, Women's Studies 36, no.44 (May 2007): 251–267.https://doi.org/10.1080/00497870701296887Laura J. Rennert Christina Rossetti's purgatorial poetics, Women's Studies 28, no.33 (Jan 1999): 249–280.https://doi.org/10.1080/00497878.1999.9979259Cynthia Scheinberg Elizabeth Barrett Browning's Hebraic Conversions: Feminism and Christian Typology in Aurora Leigh, Victorian Literature and Culture 22 (Oct 2008): 55.https://doi.org/10.1017/S1060150300003855Virginia Garrison, Kevin Railey Robert and Elizabeth Barrett Browning: An Annotated Bibliography for 1986, Browning Institute Studies 16 (Oct 2008): 181–193.https://doi.org/10.1017/S0092472500002169

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