‘Our family has indeed been strangely discomposed’: Samuel Richardson, Joseph Highmore and the Conversation Piece in Clarissa
2008; Wiley; Volume: 31; Issue: 3 Linguagem: Inglês
10.1111/j.1754-0208.2008.00116.x
ISSN1754-0208
Autores Tópico(s)Scottish History and National Identity
ResumoJournal for Eighteenth-Century StudiesVolume 31, Issue 3 p. 451-472 ‘Our family has indeed been strangely discomposed’: Samuel Richardson, Joseph Highmore and the Conversation Piece in Clarissa LYNN SHEPHERD, LYNN SHEPHERD Lincoln College, Oxford The article in this edition has been adapted from that work, which is currently being prepared for publication in 2009 as an OUP monograph, under the title ‘Clarissa's Painter’: Portraiture, Illustration and Representation in the Novels of Samuel Richardson.Search for more papers by this author LYNN SHEPHERD, LYNN SHEPHERD Lincoln College, Oxford The article in this edition has been adapted from that work, which is currently being prepared for publication in 2009 as an OUP monograph, under the title ‘Clarissa's Painter’: Portraiture, Illustration and Representation in the Novels of Samuel Richardson.Search for more papers by this author First published: 13 August 2008 https://doi.org/10.1111/j.1754-0208.2008.00116.x Read the full textAboutPDF ToolsRequest permissionExport citationAdd to favoritesTrack citation ShareShare Give accessShare full text accessShare full-text accessPlease review our Terms and Conditions of Use and check box below to share full-text version of article.I have read and accept the Wiley Online Library Terms and Conditions of UseShareable LinkUse the link below to share a full-text version of this article with your friends and colleagues. Learn more.Copy URL Share a linkShare onFacebookTwitterLinked InRedditWechat Volume31, Issue3September 2008Pages 451-472 RelatedInformation
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