Grammatical Simplicity and Relational Richness: The Trio of Mozart's G Minor Symphony
1976; University of Chicago Press; Volume: 2; Issue: 4 Linguagem: Inglês
10.1086/447862
ISSN1539-7858
Autores Tópico(s)Neuroscience and Music Perception
ResumoPrevious articleNext article No AccessGrammatical Simplicity and Relational Richness: The Trio of Mozart's G Minor SymphonyLeonard B. MeyerLeonard B. Meyer Search for more articles by this author PDFPDF PLUS Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinkedInRedditEmailPrint SectionsMoreDetailsFiguresReferencesCited by Critical Inquiry Volume 2, Number 4Summer, 1976 Article DOIhttps://doi.org/10.1086/447862 Views: 8Total views on this site Citations: 10Citations are reported from Crossref Copyright 1976 The University of ChicagoPDF download Crossref reports the following articles citing this article:Robert Rival Malcolm Forsyth’s Double Concerto: Forging a New Simplicity, Intersections 39, no.22 (Aug 2022): 145–179.https://doi.org/10.7202/1091840arSteven Jan Memesatz contra Ursatz: Memetic perspectives on the aetiology and evolution of musical structure, Musicae Scientiae 14, no.11 (Mar 2010): 3–50.https://doi.org/10.1177/102986491001400101John Sloboda Leonard Meyer: Embracing Uncertainty, Music Perception 25, no.55 (Jun 2008): 489–491.https://doi.org/10.1525/mp.2008.25.5.489Danuta Mirka Naomi Cummings sonic self, Semiotica 2002, no.142142 (Jan 2002).https://doi.org/10.1515/semi.2002.083Robert O. Gjerdingen Courtly Behaviors, Music Perception: An Interdisciplinary Journal 13, no.33 (Apr 1996): 365–382.https://doi.org/10.2307/40286175Leonard B. Meyer Commentary, Music Perception: An Interdisciplinary Journal 13, no.33 (Apr 1996): 455–487.https://doi.org/10.2307/40286179Marion A. Guck Analytical Fictions, Music Theory Spectrum 16, no.22 (Oct 1994): 217–230.https://doi.org/10.2307/746034Eugene Narmour The Top-down and Bottom-up Systems of Musical Implication: Building on Meyer's Theory of Emotional Syntax, Music Perception: An Interdisciplinary Journal 9, no.11 (Oct 1991): 1–26.https://doi.org/10.2307/40286156Adena Rosmarin Hermeneutics versus Erotics: Shakespeare's Sonnets and Interpretive History, PMLA 100, no.11 (Jan 1985): 20.https://doi.org/10.2307/462198Burton S. Rosner, Leonard B. Meyer Melodic Processes and the Perception of Music, (Jan 1982): 317–341.https://doi.org/10.1016/B978-0-12-213562-0.50014-0
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