Baltic Theater 1995–2005: Processes and Trends
2009; Routledge; Volume: 40; Issue: 4 Linguagem: Inglês
10.1080/01629770903320155
ISSN1751-7877
Autores Tópico(s)Theatre and Performance Studies
ResumoDuring the decade from 1995 to 2005 theater in the Baltic region widened its repertory borders, created a new system of management and renewed its artistic language. It lost its ideological significance and intellectual leadership. The new system of contracts gave more freedom to theater managers in changing the inner structure of theaters, and in forming smaller and more dynamic theater companies. The self-identifying process appeared in all three Baltic theaters, as seen in such productions as Alvis Hermanis's Latvian Stories (2004), Priit Pedajas’ performance of Andres Kivirahk's Estonian Funeral (2002) and Rimas Tuminas’ production of Marius Ivaškevičius’ Madagaskaras (2004).
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