Phantasmagoria: Spectral Technology and the Metaphorics of Modern Reverie
1988; University of Chicago Press; Volume: 15; Issue: 1 Linguagem: Inglês
10.1086/448473
ISSN1539-7858
Autores Tópico(s)Arts and Performance Studies
ResumoPrevious articleNext article No AccessPhantasmagoria: Spectral Technology and the Metaphorics of Modern ReverieTerry CastleTerry CastlePDFPDF PLUS Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinkedInRedditEmail SectionsMoreDetailsFiguresReferencesCited by Critical Inquiry Volume 15, Number 1Autumn, 1988 Article DOIhttps://doi.org/10.1086/448473 Views: 49Total views on this site Citations: 104Citations are reported from Crossref Copyright 1988 The University of ChicagoPDF download Crossref reports the following articles citing this article:Charles Spence The phantasmagoria: From ghostly apparitions to multisensory fairground entertainment, Frontiers in Communication 7 (Jul 2022).https://doi.org/10.3389/fcomm.2022.894078Jeremy Tambling Realism and allegory, (Mar 2022): 303–315.https://doi.org/10.1075/chlel.xxxiii.11tamCem ÇIRAK BESTECİLİKTE FANTAZMAGORYA: GELENEKSEL TÜRK MÜZİĞİNDE BESTECİLİĞİN BAZI ZİHİNSEL VE TOPLUMSAL DİNAMİKLERİ, Eurasian Journal of Music and Dance (Dec 2021).https://doi.org/10.31722/ejmd.994085Warley Souza Dias, Ildenilson Meireles Imaginário e cultura capitalista no projeto das passagens de Walter Benjamin, Fênix - Revista de História e Estudos Culturais 18, no.22 (Dec 2021): 773–789.https://doi.org/10.35355/revistafenix.v18i2.1182Beatrice Ashton-Lelliott The gendered danger of illusion in The Blithedale Romance (1852) and The Mayor of Casterbridge (1886), Nineteenth-Century Contexts 43, no.44 (Aug 2021): 433–447.https://doi.org/10.1080/08905495.2021.1960017Robert Jarosz W poszukiwaniu genealogii kina – skiagrafie i proces skiagraficzny, Kwartalnik Filmowy , no.113113 (May 2021): 27–49.https://doi.org/10.36744/kf.559Paloma Martínez Matías Fantasmagoría y despertar. Una aproximación al Libro de los pasajes de Walter Benjamin, Logos. Anales del Seminario de Metafísica 54, no.11 (Mar 2021): 107–129.https://doi.org/10.5209/asem.74709Katharina Rein Gothic Cinema vor 1960, (Aug 2021): 53–83.https://doi.org/10.1007/978-3-658-33205-1_3Estella Ferraro Identity and Self – From Enlightened to Fragmented, (Sep 2021): 39–66.https://doi.org/10.1007/978-3-658-32654-8_3Mark Byron Samuel Beckett's Geological Imagination, (Sep 2020).https://doi.org/10.1017/9781108772457Dale Townshend, Angela Wright The Cambridge History of the Gothic, 32 (Jul 2020).https://doi.org/10.1017/9781108561082Noam M. Elcott The Phantasmagoric Dispositif: An Assembly of Bodies and Images in Real Time and Space, (Jul 2020).https://doi.org/10.5117/9789089649928_ch11Sovan Chakraborty, Nagendra Kumar A Theater Called Spectacle: Phantasmagorical Urban Space in Amit Chaudhuri's A Strange and Sublime Address, South Asian Review 41, no.22 (Mar 2020): 177–190.https://doi.org/10.1080/02759527.2020.1740421Amanda Shubert "A Bright Continuous Flow": Phantasmagoria and History in A Tale of Two Cities, Victorian Literature and Culture 48, no.44 (Nov 2020): 693–720.https://doi.org/10.1017/S1060150319000226Jayda Coons "Spectral realities": Little Dorrit , stereoscopy, and non-mimetic realism, Nineteenth-Century Contexts 42, no.11 (Nov 2019): 17–31.https://doi.org/10.1080/08905495.2019.1686935Katharina Rein Vanishing Technology: Transparency of Media in Stage Magic, (Dec 2018): 99–114.https://doi.org/10.1007/978-3-319-99576-2_4Laura Engel The Countess of Blessington and Magic Lanterns, (Dec 2018): 81–105.https://doi.org/10.1057/978-1-137-58932-3_4 Introduction, (Jan 2019): 1–25.https://doi.org/10.1215/9781478004509-001 Shimmering Phantasmagoria, (Jan 2019): 26–60.https://doi.org/10.1215/9781478004509-002 Shimmering Sex, (Jan 2019): 61–106.https://doi.org/10.1215/9781478004509-003 Shimmering Multiplicity, (Jan 2019): 107–144.https://doi.org/10.1215/9781478004509-004 Consluion, (Jan 2019): 145–156.https://doi.org/10.1215/9781478004509-005 Notes, (Jan 2019): 157–197.https://doi.org/10.1215/9781478004509-006 Bibliography, (Jan 2019): 199–217.https://doi.org/10.1215/9781478004509-007Fabio Camilletti From Villa Diodati to Villa Gabrielli: A Manuscript Appendix to Fantasmagoriana, Gothic Studies 20, no.1-21-2 (Nov 2018): 214–226.https://doi.org/10.7227/GS.0045Jeremy Tambling Phantasmagoria, (Apr 2018): 1–4.https://doi.org/10.1007/978-3-319-62592-8_45-1Teresa Prudente Hallucination and the Text: "Circe" Between Narrative, Epistemology, and Neurosciences, (Mar 2018): 209–228.https://doi.org/10.1007/978-3-319-71994-8_12Mark Byron Wordly Corrasions: Philology and Narrative in Worstward Ho, Journal of Beckett Studies 26, no.11 (Apr 2017): 53–68.https://doi.org/10.3366/jobs.2017.0187Mason Kamana Allred Circulating Specters: Mormon Reading Networks, Vision, and Optical Media, Journal of the American Academy of Religion (Jun 2016): lfw038.https://doi.org/10.1093/jaarel/lfw038Noam M. Elcott The Phantasmagoric Dispositif : An Assembly of Bodies and Images in Real Time and Space, Grey Room 62 (Jan 2016): 42–71.https://doi.org/10.1162/GREY_a_00187Raj Shah Counterfeit Castles: The Age of Mechanical Reproduction in Bram Stoker's Dracula and Jules Verne's Le Château des Carpathes, Texas Studies in Literature and Language 56, no.44 (Dec 2014): 428–471.https://doi.org/10.7560/TSLL56404Claudia Barnett "More Life": Ethel Rosenberg's Ghost And Angels in America, Women's Studies 43, no.22 (Feb 2014): 131–154.https://doi.org/10.1080/00497878.2014.863102Mary Luckhurst, Emilie Morin Introduction: Theatre and Spectrality, (Jan 2014): 1–23.https://doi.org/10.1057/9781137345073_1Marvin Carlson Charles Dickens and the Invention of the Modern Stage Ghost, (Jan 2014): 27–45.https://doi.org/10.1057/9781137345073_2Ivan Ross Digital ghosts in the history museum: the haunting of today's mediascape, Continuum 27, no.66 (May 2013): 825–836.https://doi.org/10.1080/10304312.2013.794194Lorena Rizzo Shades of Empire: Police Photography in German South-West Africa, Visual Anthropology 26, no.44 (Jul 2013): 328–354.https://doi.org/10.1080/08949468.2013.804701Elisabeth Roberts Geography and the visual image, Progress in Human Geography 37, no.33 (Oct 2012): 386–402.https://doi.org/10.1177/0309132512460902Massimiliano Tomba Marx as the Historical Materialist: Re-reading The Eighteenth Brumaire*, Historical Materialism 21, no.22 (Jan 2013): 21–46.https://doi.org/10.1163/1569206X-12341290Katherine Singer Wordsworthian Vision, Moving Picture Shows, and the Ethics of the Moving Image in Maria Jane Jewsbury's The Oceanides, European Romantic Review 23, no.55 (Oct 2012): 533–553.https://doi.org/10.1080/10509585.2012.709792Melynda Nuss Spectacle, (Apr 2012).https://doi.org/10.1002/9781118300916.wberls025Kimberly Mair Transitory Formations and the Education of the Senses, The Senses and Society 7, no.11 (Apr 2015): 53–71.https://doi.org/10.2752/174589312X13173255802085Thomas Lamarre Magic Lantern, Dark Precursor of Animation, Animation 6, no.22 (Jul 2011): 127–148.https://doi.org/10.1177/1746847711406374Michael Fiddler A 'system of light before being a figure of stone': The phantasmagoric prison, Crime, Media, Culture: An International Journal 7, no.11 (May 2011): 83–97.https://doi.org/10.1177/1741659010393811Elizabeth Carlson Reflections to projections: The mirror as a proto‐cinematic technology, Early Popular Visual Culture 9, no.11 (Feb 2011): 15–35.https://doi.org/10.1080/17460654.2011.544111Julian North Shelley Revitalized: Biography and the Reanimated Body, European Romantic Review 21, no.66 (Dec 2010): 751–770.https://doi.org/10.1080/10509585.2010.514496 남수영 The Unfulfilled Journey of a Flâneur: Reading "The Man of the Crowd" through the Eyes of the City, The Journal of English Language and Literature 56, no.44 (Oct 2010): 619–637.https://doi.org/10.15794/jell.2010.56.4.003Andrew Shail Reading the cinematograph: Short fiction and the intermedial spheres of early cinema, Early Popular Visual Culture 8, no.11 (Feb 2010): 47–62.https://doi.org/10.1080/17460650903516002Christine Berthin Gothic as Poetics, (Jan 2010): 57–88.https://doi.org/10.1057/9780230275126_4Paul Kingsbury, John Paul Jones Walter Benjamin's Dionysian Adventures on Google Earth, Geoforum 40, no.44 (Jul 2009): 502–513.https://doi.org/10.1016/j.geoforum.2008.10.002Tara Moore Ghost Stories at Christmas, (Jan 2009): 81–98.https://doi.org/10.1057/9780230623330_5Rosario Arias (Spirit) Photography and the Past in the Neo-Victorian Novel, Lit: Literature Interpretation Theory 20, no.1-21-2 (Mar 2009): 92–107.https://doi.org/10.1080/10436920802690596Gunnar Iversen Det skrekkslagne publikum – Opprinnelsesmyten om filmens første tilskuere, Norsk medietidsskrift 15, no.22 (Jun 2008): 125–139.https://doi.org/10.18261/ISSN0805-9535-2008-02-04JOHN PEFFER Snap of the Whip/Crossroads of Shame: Flogging, Photography, and the Representation of Atrocity in the Congo Reform Campaign, Visual Anthropology Review 24, no.11 (May 2008): 55–77.https://doi.org/10.1111/j.1548-7458.2008.00005.xLaurie Garrison, Sibylle Erle Introduction, Romanticism and Victorianism on the Net , no.5252 (Jan 2008): 0.https://doi.org/10.7202/019801arAthena Vrettos Victorian Psychology, (Nov 2007): 67–83.https://doi.org/10.1002/9780470996324.ch5Laurie Garrison The Visual Subject, c.1810?1840: Trends in Romanticism and Victorianism, Literature Compass 4, no.44 (Jul 2007): 1078–1091.https://doi.org/10.1111/j.1741-4113.2007.00461.x Introduction, (Jan 2007): 1–20.https://doi.org/10.1215/9780822389866-001 The Historicity of the Fragment, (Jan 2007): 21–43.https://doi.org/10.1215/9780822389866-002 "Completely Painted Over but Painted Full of Empty Spaces", (Jan 2007): 44–79.https://doi.org/10.1215/9780822389866-003 "Learning a Lesson in the Superficial Song Lyrics", (Jan 2007): 80–112.https://doi.org/10.1215/9780822389866-004 "For the Other Overlapping Time", (Jan 2007): 113–147.https://doi.org/10.1215/9780822389866-005 Conclusion, (Jan 2007): 148–152.https://doi.org/10.1215/9780822389866-006 Notes, (Jan 2007): 153–170.https://doi.org/10.1215/9780822389866-007 Works Cited, (Jan 2007): 171–180.https://doi.org/10.1215/9780822389866-009Sharon Sliwinski The Childhood of Human Rights: The Kodak on the Congo, Journal of Visual Culture 5, no.33 (Dec 2006): 333–363.https://doi.org/10.1177/1470412906070514Alfred W. Cramer Of Serpentina and Stenography: Shapes of Handwriting in Romantic Melody, 19th-Century Music 30, no.22 (Nov 2006): 133–165.https://doi.org/10.1525/ncm.2006.30.2.133Hans-Georg von Arburg Geisterbeschwörung oder Gedankentheater?, (Jan 2006): 13–18.https://doi.org/10.1007/978-3-211-49293-2_2Dale Townshend Gothic Panoptics and the Persistence of Torturous Enjoyment, 1764-1820, Genre 37, no.3-43-4 (Sep 2004): 395–432.https://doi.org/10.1215/00166928-37-3-4-395 Introduction, (Jan 2003): 3–15.https://doi.org/10.1215/9780822384373-001 Surplus Bodies, Vanishing Women, (Jan 2003): 17–59.https://doi.org/10.1215/9780822384373-002 Insubstantial Media, (Jan 2003): 61–91.https://doi.org/10.1215/9780822384373-003 Mother Knows Best, (Jan 2003): 93–128.https://doi.org/10.1215/9780822384373-004 Violent Vanishings, (Jan 2003): 129–151.https://doi.org/10.1215/9780822384373-005 Shooting Stars, Vanishing Comets, (Jan 2003): 153–188.https://doi.org/10.1215/9780822384373-006 Afterword, (Jan 2003): 189–193.https://doi.org/10.1215/9780822384373-007 Notes, (Jan 2003): 195–218.https://doi.org/10.1215/9780822384373-008 Works Cited, (Jan 2003): 219–232.https://doi.org/10.1215/9780822384373-009 Filmography, (Jan 2003): 233–234.https://doi.org/10.1215/9780822384373-011 Introduction, (Jan 2002): 1–30.https://doi.org/10.1215/9780822384281-001 On Origins, (Jan 2002): 31–76.https://doi.org/10.1215/9780822384281-002 Adorning the Feminine, or the Language of Fans, (Jan 2002): 77–117.https://doi.org/10.1215/9780822384281-003 Salon Poets, the Bécquer Craze, and Romanticism, (Jan 2002): 118–138.https://doi.org/10.1215/9780822384281-004 Textual Economies, (Jan 2002): 139–178.https://doi.org/10.1215/9780822384281-005 Fabricating History, (Jan 2002): 179–201.https://doi.org/10.1215/9780822384281-006 The Dream of Negation, (Jan 2002): 202–223.https://doi.org/10.1215/9780822384281-007 The Margins of Home, (Jan 2002): 224–243.https://doi.org/10.1215/9780822384281-008 The Culture of Nostalgia, or the Language of Flowers, (Jan 2002): 244–276.https://doi.org/10.1215/9780822384281-009 Coda, (Jan 2002): 277–302.https://doi.org/10.1215/9780822384281-010 Notes, (Jan 2002): 305–352.https://doi.org/10.1215/9780822384281-011 Bibliography, (Jan 2002): 353–392.https://doi.org/10.1215/9780822384281-012Marjean Purinton Socialized and Medicalized Hysteria in Joanna Baillie's Witchcraft, Essays in Romanticism 9, no.11 (Jan 2001): 139–156.https://doi.org/10.3828/EIR.9.1.8 Asiatic Cholera and the Raw Material of Race, (Jan 2000): 21–59.https://doi.org/10.1215/9780822397762-002 Breast Reductions, (Jan 2000): 60–101.https://doi.org/10.1215/9780822397762-003 Fractions of Men, (Jan 2000): 102–147.https://doi.org/10.1215/9780822397762-004 Monsters, Materials, Methods, (Jan 2000): 148–208.https://doi.org/10.1215/9780822397762-005 Afterword, (Jan 2000): 209–217.https://doi.org/10.1215/9780822397762-006 Notes, (Jan 2000): 219–250.https://doi.org/10.1215/9780822397762-007 Works Cited, (Jan 2000): 251–265.https://doi.org/10.1215/9780822397762-008Christina Britzolakis Phantasmagoria: Walter Benjamin and the Poetics of Urban Modernism, (Jan 1999): 72–91.https://doi.org/10.1057/9780230374812_4Leigh Eric Schmidt From Demon Possession to Magic Show: Ventriloquism, Religion, and the Enlightenment, Church History 67, no.22 (Jul 2009): 274–304.https://doi.org/10.2307/3169762Erin O'Connor "Fractions of Men": Engendering Amputation in Victorian Culture, Comparative Studies in Society and History 39, no.44 (Apr 2012): 742–777.https://doi.org/10.1017/S0010417500020892Thomas S. 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