Reinventing the Medium
1999; University of Chicago Press; Volume: 25; Issue: 2 Linguagem: Inglês
10.1086/448921
ISSN1539-7858
Autores Tópico(s)Cinema and Media Studies
ResumoPrevious articleNext article No AccessReinventing the MediumRosalind E. KraussRosalind E. KraussPDFPDF PLUS Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinkedInRedditEmail SectionsMoreDetailsFiguresReferencesCited by Critical Inquiry Volume 25, Number 2Winter, 1999"Angelus Novus": Perspectives on Walter Benjamin Article DOIhttps://doi.org/10.1086/448921 Views: 106Total views on this site Citations: 87Citations are reported from Crossref Copyright 1999 The University of ChicagoPDF download Crossref reports the following articles citing this article:Benedict Welch David Lynch, Embodiment and Mediality: Dealing With a Human Form, Film-Philosophy 26, no.33 (Oct 2022): 375–393.https://doi.org/10.3366/film.2022.0206Sarah Durcan Memory and Intermediality, (Oct 2020): 17–49.https://doi.org/10.1007/978-3-030-47396-9_2Andrea Pinotti Formalism and Kunstwissenschaft: The "How" of the Image, (Oct 2021): 109–129.https://doi.org/10.1007/978-3-030-71830-5_7Filip Lipiński Im/pulse to See in Rosalind Krauss, (Oct 2021): 395–413.https://doi.org/10.1007/978-3-030-71830-5_24Jane Almeida The Dot and the Line, (Nov 2020): 407–429.https://doi.org/10.1002/9781119194583.ch22José Moure, Dominique Chateau, Dudley Andrew, André Gaudreault, Philippe Marion, Céline Scemama, Victor Burgin, Giovanna Fossati, Annie Oever, Christophe Génin, François Jost, Malte Hagener, Francesco Casetti, Andrea Pinotti, Miriam Rosa, Gabriela Rivadeneira Crespo, Dominique Chateau, Richard Conte, Christophe Viart, Eugénie Zvonkine, Gérard Courant, Wang Bing Post-cinema, (Sep 2020).https://doi.org/10.5117/9789463727235_ch12Noam Feinholtz Death on Live TV: Cinema's Struggle Against Television, Quarterly Review of Film and Video 37, no.33 (Jul 2019): 248–274.https://doi.org/10.1080/10509208.2019.1639446Juliet Hacking PHOTOGRAPHIC EXCEPTIONALISM, photographies 11, no.2-32-3 (Jul 2018): 353–366.https://doi.org/10.1080/17540763.2018.1457561 최수임 "Reinventing the Medium" attempted by Sanghee Song's Come Back Alive Baby and Sunny Kim's Landscape -In Light of Rosalind Krauss' Medium-Aesthetic Argument-, Contemporary Film Studies 14, no.33 (Aug 2018): 9–53.https://doi.org/10.15751/cofis.2018.14.3.9Jong-chul Choi Reinventing the archive in the age of digital reproduction: Walid Raad's the Atlas Group, Digital Creativity 29, no.2-32-3 (Mar 2018): 235–248.https://doi.org/10.1080/14626268.2018.1447969Ryo Okubo Japanese Modernity and Media Studies of Screens, International Journal of Japanese Sociology 27, no.11 (Mar 2018): 120–132.https://doi.org/10.1111/ijjs.12082Galit Wellner Posthuman Imagination: From Modernity to Augmented Reality, Journal of Posthuman Studies 2, no.11 (Jan 2018): 45–66.https://doi.org/10.5325/jpoststud.2.1.0045Tiziana Andina What is Art?, Brill Research Perspectives in Art and Law 1, no.22 (Nov 2017): 1–88.https://doi.org/10.1163/24684309-12340002Piotr Cieplak Chapter 1: Image, Evidence, Memory, (May 2018): 25–53.https://doi.org/10.1057/978-1-137-57988-1_2Jaclyn Meloche Camera Performed: Visualising the Behaviours of Technology in Digital Performance, (Aug 2017): 45–63.https://doi.org/10.1007/978-3-319-49085-4_3 최정은 "Post-Medium" and Experimental Film As "Expanded Cinema": A Case of of Christian Marclay, Journal of History of Modern Art null, no.4040 (Dec 2016): 209–242.https://doi.org/10.17057/kahoma.2016..40.008Jennie Goldstein Dance History in Contemporary Visual Art Practice: Kelly Nipper's Weather Center, TDR/The Drama Review 60, no.22 (Jun 2016): 103–121.https://doi.org/10.1162/DRAM_a_00550Ross Elfline The Dematerialization of Architecture, Journal of the Society of Architectural Historians 75, no.22 (Jun 2016): 201–223.https://doi.org/10.1525/jsah.2016.75.2.201Mischa Twitchin Chapter 7 Tadeusz Kantor: An Avant-Garde of Death, (Oct 2016): 237–303.https://doi.org/10.1057/978-1-137-47872-6_8Karin Zitzewitz Life in Ruins: Materiality, the City, and the Production of Critique in the Art of Naiza Khan, The Journal of Asian Studies 74, no.22 (Mar 2015): 323–346.https://doi.org/10.1017/S0021911814002228Ana Butto, María José Saletta, Dánae Fiore Kau. Los toldos tehuelches en los dibujos, grabados y fotografías de viajeros por la Patagonia (Argentina y Chile), Artelogie , no.77 (Apr 2015).https://doi.org/10.4000/artelogie.1164Ewa Lajer-Burcharth Drawing Time, October 151 (Jan 2015): 3–42.https://doi.org/10.1162/OCTO_a_00210Michael LeVan Threshold/Medium, Departures in Critical Qualitative Research 3, no.22 (Jun 2014): 170–175.https://doi.org/10.1525/dcqr.2014.3.2.170 이필 Francesca Woodman: The Hybrid Space of Photography, Journal of History of Modern Art null, no.3535 (Jun 2014): 59–86.https://doi.org/10.17057/kahoma.2014..35.003Ian Verstegen Dispositional Realism and the Specificity of Digital Media, Leonardo 47, no.22 (Apr 2014): 159–163.https://doi.org/10.1162/LEON_a_00733Charissa N. Terranova Systems and Automatisms: Jack Burnham, Stanley Cavell and the Evolution of a Neoliberal Aesthetic, Leonardo 47, no.11 (Feb 2014): 56–62.https://doi.org/10.1162/LEON_a_00703Marie Shurkus Camera Lucida and Affect: Beyond representation, Photographies 7, no.11 (Apr 2014): 67–83.https://doi.org/10.1080/17540763.2014.896276Dominik Schrey Analogue Nostalgia and the Aesthetics of Digital Remediation, (Jan 2014): 27–38.https://doi.org/10.1057/9781137375889_2 김지훈 The Redemption of the Obsolete: Materialism and Ontology in Tacita Dean's "Cinema of Exhibition", Journal of History of Modern Art null, no.3434 (Dec 2013): 7–38.https://doi.org/10.17057/kahoma.2013..34.001 Hye-Sook Jeon Bioart in the Perspective of Media, Journal of History of Modern Art null, no.3434 (Dec 2013): 243–273.https://doi.org/10.17057/kahoma.2013..34.010Patrick Jagoda Fabulously Procedural: Braid , Historical Processing, and the Videogame Sensorium, American Literature 85, no.44 (Dec 2013): 745–779.https://doi.org/10.1215/00029831-2367346 Introduction, (Jan 2013): 1–12.https://doi.org/10.1215/9780822377535-001 Intermedial Experiments and the Rise of the Eizō Discourse, (Jan 2013): 13–52.https://doi.org/10.1215/9780822377535-002 Cinema, Event, and Artifactuality, (Jan 2013): 53–87.https://doi.org/10.1215/9780822377535-003 Remediating Journalism, (Jan 2013): 88–114.https://doi.org/10.1215/9780822377535-004 Diagramming the Landscape, (Jan 2013): 115–148.https://doi.org/10.1215/9780822377535-005 Hijacking Television, (Jan 2013): 149–182.https://doi.org/10.1215/9780822377535-006 Conclusion, (Jan 2013): 183–202.https://doi.org/10.1215/9780822377535-007 Notes, (Jan 2013): 203–238.https://doi.org/10.1215/9780822377535-008 Bibliography, (Jan 2013): 239–256.https://doi.org/10.1215/9780822377535-009Jonathan Walley Materiality and Meaning in Recent Projection Performance, The Velvet Light Trap 70 (Sep 2012): 18–34.https://doi.org/10.7560/VLT7003Emerson Bowyer Editor's Introduction Multiplying the Visual: Image and Object in the Nineteenth Century, Grey Room 48 (Jul 2012): 6–11.https://doi.org/10.1162/GREY_e_00077Diarmuid Costello Automat, Automatic, Automatism: Rosalind Krauss and Stanley Cavell on Photography and the Photographically Dependent Arts Diarmuid Costello, Critical Inquiry 38, no.44 (Jul 2015): 819–854.https://doi.org/10.1086/667426Julia Bryan-Wilson Practicing Trio A, October 140 (May 2012): 54–74.https://doi.org/10.1162/OCTO_a_00089Anna Watkins Fisher Like a Girl's Name, TDR/The Drama Review 56, no.11 (Mar 2012): 48–76.https://doi.org/10.1162/DRAM_a_00143Ralph Ubl Autonomie, (Jan 2011): 45–49.https://doi.org/10.1007/978-3-476-00331-7_15Alexander Streitberger, Hilde van Gelder Photo-filmic images in contemporary visual culture, Philosophy of Photography 1, no.11 (Mar 2010): 48–53.https://doi.org/10.1386/pop.1.1.48/7Pavle Levi Cinema by Other Means, October 131 (Jan 2010): 51–68.https://doi.org/10.1162/octo.2010.131.1.51Nanna Verhoeff Theoretical Consoles: Concepts for Gadget Analysis, Journal of Visual Culture 8, no.33 (Dec 2009): 279–298.https://doi.org/10.1177/1470412909105693 Introduction, (Jan 2009): 1–14.https://doi.org/10.1215/9780822390749-001 Authentic Ruins, (Jan 2009): 17–28.https://doi.org/10.1215/9780822390749-002 Air War and Architecture, (Jan 2009): 29–40.https://doi.org/10.1215/9780822390749-003 Modernism and Destruction in Architecture, (Jan 2009): 41–57.https://doi.org/10.1215/9780822390749-004 Ruins of the Avant-Garde, (Jan 2009): 58–85.https://doi.org/10.1215/9780822390749-005Andreas Schönle Modernity as a "Destroyed Anthill", (Jan 2009): 89–103.https://doi.org/10.1215/9780822390749-006Russell A. Berman Democratic Destruction, (Jan 2009): 104–117.https://doi.org/10.1215/9780822390749-007Jonathan Bolton The Ruins of a Republic, (Jan 2009): 118–132.https://doi.org/10.1215/9780822390749-008Amir Eshel Layered Time, (Jan 2009): 133–150.https://doi.org/10.1215/9780822390749-009Lucia Saks Cities, Citizenship, and other Joburg Stories, (Jan 2009): 151–165.https://doi.org/10.1215/9780822390749-010Julia Hell Imperial Ruin Gazers, or Why Did Scipio Weep?, (Jan 2009): 169–192.https://doi.org/10.1215/9780822390749-011Todd Samuel Presner Hegel's Philosophy of World History via Sebald's Imaginary of Ruins, (Jan 2009): 193–211.https://doi.org/10.1215/9780822390749-012Jon Beasley-Murray Vilcashuamán, (Jan 2009): 212–231.https://doi.org/10.1215/9780822390749-013Daniel Herwitz The Monument in Ruins, (Jan 2009): 232–243.https://doi.org/10.1215/9780822390749-014Rahul Mehrotra Simultaneous Modernity, (Jan 2009): 244–249.https://doi.org/10.1215/9780822390749-015Helmut Puff Ruins as Models, (Jan 2009): 253–269.https://doi.org/10.1215/9780822390749-016Kerstin Barndt "Memory Traces of an Abandoned Set of Futures", (Jan 2009): 270–293.https://doi.org/10.1215/9780822390749-017 Colonial Melancholy and Fordist Nostalgia, (Jan 2009): 294–320.https://doi.org/10.1215/9780822390749-018 Dr. Strangelove's Cabinet of Wonder, (Jan 2009): 321–338.https://doi.org/10.1215/9780822390749-019 Invisible at a Glance, (Jan 2009): 339–353.https://doi.org/10.1215/9780822390749-020 Foundational Ruins, (Jan 2009): 357–374.https://doi.org/10.1215/9780822390749-021 The Promise of a Ruin, (Jan 2009): 375–394.https://doi.org/10.1215/9780822390749-022 Ruin Cinema, (Jan 2009): 395–417.https://doi.org/10.1215/9780822390749-023 The Place of Rubble in the Trümmerfilm, (Jan 2009): 418–438.https://doi.org/10.1215/9780822390749-024 Lost in Time, (Jan 2009): 439–457.https://doi.org/10.1215/9780822390749-025 Bibliography, (Jan 2009): 459–487.https://doi.org/10.1215/9780822390749-026Branden W. Joseph Future Anterior: History and Speculation in the Work of Angela Bulloch, Grey Room 32 (Jul 2008): 114–142.https://doi.org/10.1162/grey.2008.1.32.114Hilde Van Gelder Photography Today: Between Tableau and Document, Recherches sémiotiques 28, no.1-21-2 (Oct 2010): 69–86.https://doi.org/10.7202/044589arRuggero Eugeni "A Past Which Has Never Been a Present". Cinema and Photography in Blow-Up by Michelangelo Antonioni, Recherches sémiotiques 28, no.1-21-2 (Oct 2010): 125–135.https://doi.org/10.7202/044592arFrancis Halsall No medium just a shell: how works of art configure their medium, Journal of Visual Art Practice 6, no.11 (May 2007): 45–59.https://doi.org/10.1386/jvap.6.1.45_1Mark Godfrey The Artist as Historian, October 120 (Apr 2007): 140–172.https://doi.org/10.1162/octo.2007.120.1.140Hilde Van Gelder A matter of cleaning up: Treating history in the work of Allan Sekula and Jeff Wall, History of Photography 31, no.11 (Jan 2015): 68–80.https://doi.org/10.1080/03087298.2007.10443503Joanna Lowry Putting painting in the picture (photographically), Journal of Visual Art Practice 5, no.33 (Nov 2006): 215–227.https://doi.org/10.1386/jvap.5.3.215_1DEVIN FORE Introduction, October 118 (Oct 2006): 3–10.https://doi.org/10.1162/octo.2006.118.1.3Rosalind Krauss Two Moments from the Post-Medium Condition, October 116 (Apr 2006): 55–62.https://doi.org/10.1162/octo.2006.116.1.55 James Ekins Critical ResponseWhat Do We Want Photography to Be? A Response to Michael Fried James Elkins, Critical Inquiry 31, no.44 (Jul 2015): 938–956.https://doi.org/10.1086/444520George Baker Entr'acte, October 105 (Jul 2003): 159–165.https://doi.org/10.1162/016228703769684254 Bibliography, (): 237–248.https://doi.org/10.1215/9780822373629-015
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