Feminist Film Theory and Criticism
1985; University of Chicago Press; Volume: 11; Issue: 1 Linguagem: Inglês
10.1086/494201
ISSN1545-6943
Autores Tópico(s)Cinema and Media Studies
ResumoPrevious articleNext article No AccessReview EssaysFeminist Film Theory and CriticismJudith MayneJudith Mayne Search for more articles by this author PDFPDF PLUS Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinkedInRedditEmail SectionsMoreDetailsFiguresReferencesCited by Signs Volume 11, Number 1Autumn, 1985 Article DOIhttps://doi.org/10.1086/494201 Views: 314Total views on this site Citations: 13Citations are reported from Crossref Copyright 1985 The University of ChicagoPDF download Crossref reports the following articles citing this article:Hasan Gürkan, Nur Tuğçe Biga Women’s narratives inhibiting scopophilic and voyeuristic views: woman as the saviour in contemporary Turkish women’s films, Feminist Media Studies 1 (Mar 2022): 1–16.https://doi.org/10.1080/14680777.2022.2055106Nüket Elpeze Ergeç Dişil Dili Kurabilmek İçin Bir Yöntem Değerlendirmesi: ”Benim Sahnem” Dijital Hikaye Anlatımı Atölyesi, SineFilozofi (Jun 2019).https://doi.org/10.31122/sinefilozofi.514971Berceste Gülçin Özdemir ŞİMDİKİ ZAMAN: KADIN KARAKTERLERİN FİLM MEKÂNLARINDAKİ TEMSİLİNİN FEMİNİST FİLM ELEŞTİRİSİ ÇERÇEVESİNDE İNCELENMESİ, sinecine: Sinema Araştırmaları Dergisi 9, no.22 (Oct 2018): 131–164.https://doi.org/10.32001/sinecine.471856Lucas Hilderbrand In the heat of the moment: Notes on the past, present, and future of Born in Flames, Women & Performance: a journal of feminist theory 23, no.11 (Mar 2013): 6–16.https://doi.org/10.1080/0740770X.2013.786340Constantine V Nakassis Theorizing film realism empirically, New Cinemas: Journal of Contemporary Film 7, no.33 (Dec 2009): 211–235.https://doi.org/10.1386/ncin.7.3.211/1 Judith Mayne Marlene, Dolls, and Fetishism Mayne, Signs: Journal of Women in Culture and Society 30, no.11 (Jul 2015): 1257–000.https://doi.org/10.1086/422231CAROLYN A. DURHAM At the Crossroads of Gender and Culture: Where Feminism and Sexism Intersect, The Modern Language Journal 79, no.22 (Oct 2011): 153–165.https://doi.org/10.1111/j.1540-4781.1995.tb05426.xAndréa Bernard Experiencing problems, Women's Studies International Forum 18, no.11 (Jan 1995): 61–65.https://doi.org/10.1016/0277-5395(94)00079-4Nichola Anne Haxell Le Serpent Qui Danse: Woman as Dancer in the Works of Baudelaire, Mallarmé and Colette, Romance Studies 10, no.11 (Jul 2013): 117–124.https://doi.org/10.1179/026399092786578496Sharon D. Downey, Karen Rasmussen The Irony of Sophie's Choice, Women's Studies in Communication 14, no.22 (Feb 2015): 1–23.https://doi.org/10.1080/07491409.1991.11089752Hope Weissman Aphrodite/Artemis // Emilia/Alison: The Semiotics of Perception, Exemplaria 2, no.11 (Jul 2013): 89–125.https://doi.org/10.1179/exm.1990.2.1.89Teresa de Lauretis Strategies of Coherence, (Jan 1987): 107–126.https://doi.org/10.1007/978-1-349-19737-8_7Lisa A. Lewis Female Address in Music Video, Journal of Communication Inquiry 11, no.11 (Jul 2016): 73–84.https://doi.org/10.1177/019685998701100107
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