Inclusion and Exclusion in the Ethos of Von Balthasar's Theo‐drama
1998; Cambridge University Press; Volume: 79; Issue: 923 Linguagem: Inglês
10.1111/j.1741-2005.1998.tb02807.x
ISSN1741-2005
Autores Tópico(s)Theology and Philosophy of Evil
ResumoHans Urs von Balthasar’s Theo-Drama is about the good. Its conception of Christian moral life is set ‘after Christendom’ and directed to a ‘post-Christian’ culture. If the Theo-Drama becomes central to the way that Christians live in the post-modern world, what will their ethos be like? ‘Christendom’ is Christianity as an achieved political strategy: at the end of the game, the board should look like Aquinas’ On Princely Government. Aquinas’s natural law theory is embedded in Aristotle’s idea of the city as directed to a common good by its ruler. Aristotle’s Nicomachean Ethics and his Politics are authoritative for him. Von Balthasar has very little to say about Christendom. The ethics of the Theo-Drama does not hinge on an idea of natural law. According to von Balthasar, pre-Christian cultures found the sacred in the cosmos. With the Incarnation, he says, the sacred is relocated to the person of Christ. Mediaeval Christendom assimilated cosmic religiosity into a Biblical framework. But the footprints of God in the cosmos did not lead all the way to Golgotha. Luther was not in error when he brought this “crisis to consciousness”. Von Balthasar claims that post-Christian culture is desacralised: Great Pan is dead, and the Piper at the gates of dawn cannot now be invoked even by Van Morrison. Post-Christian man has to make a choice: either the physicist’s universe and a technocratic state or the person of Christ. This is not a matter of cultural progression or regression: after the Incarnation, God makes himself less clearly present in nature.
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