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The Language of Madwomen in Shakespeare and His Fellow Dramatists

1977; University of Chicago Press; Volume: 3; Issue: 2 Linguagem: Inglês

10.1086/493476

1545-6943

Maurice Charney, Hanna Charney,

Folklore, Mythology, and Literature Studies

Previous articleNext article No AccessRevisions/ReportsThe Language of Madwomen in Shakespeare and His Fellow DramatistsMaurice Charney and Hanna CharneyMaurice Charney and Hanna CharneyPDFPDF PLUS Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinkedInRedditEmail SectionsMoreDetailsFiguresReferencesCited by Signs Volume 3, Number 2Winter, 1977 Article DOIhttps://doi.org/10.1086/493476 Views: 41Total views on this site Citations: 6Citations are reported from Crossref Copyright 1977 The University of ChicagoPDF download Crossref reports the following articles citing this article:Alice Payne Leigh Whannell's The Invisible Man Discussing Narratives of Domestic Abuse and Gaslighting through the Cassandra Myth, Humanities 11, no.11 (Dec 2021): 2.https://doi.org/10.3390/h11010002Elif BAŞ OPHELIA: DELİLİĞİN DİLİ, DİLİN DELİLİĞİ, Trakya Üniversitesi Edebiyat Fakültesi Dergisi 8, no.1616 (Jul 2018): 90–107.https://doi.org/10.33207/trkede.493527Sandra Clark Women, class, and the language of madness in early modern English drama, Sederi , no.2424 (Jan 2014): 7–26.https://doi.org/10.34136/sederi.2014.1Kendra Preston Leonard The Lady Vanishes: Aurality and Agency in Cinematic Ophelias, (Jan 2012): 101–117.https://doi.org/10.1057/9781137016461_7Gabrielle Dane Reading Ophelia's Madness, Exemplaria 10, no.22 (Jul 2013): 405–423.https://doi.org/10.1179/exm.1998.10.2.405Anna Maria Stuby "Ophelia auf dem schwarzen Wasser traurig zieht..." Zum Motiv des weiblichen Wassertodes, (Jan 1992): 163–216.https://doi.org/10.1007/978-3-322-91070-7_6