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I Got a Natural Skill…: Hip-Hop, Authenticity, and Whiteness

2009; Taylor & Francis; Volume: 20; Issue: 1 Linguagem: Inglês

10.1080/10646170802664979

1096-4649

Todd Fraley,

Critical Race Theory in Education

While hip hop remains forever tied to its African American roots, it is now undeniably evident in all aspects of popular culture. Eminem, a White MC, has achieved a level of success unmatched in the world of hip-hop. Conscious of his race, Eminem stresses that he is not to be placed in the White rapper category but should be respected for his skills. Despite this yearning, his emergence in a musical genre linked to Black culture furnishes a point of entry to outline strategies White MC's use to negotiate and rearticulate Whiteness as they strive for authenticity. Popular culture and media are implicated in the social construction of race by providing texts reinforcing and maintaining essentialized notions of Blackness and Whiteness, and hip hop is central to this process. The power and privilege of Whiteness resides in its non-naming and in response, hip-hop clearly marks Whiteness and provides a space to critically interrogate and question its normalcy. With relatively few discussions pertaining to White participation in rap music, this article links the struggle for authenticity in the hip-hop world to the social constructions of race and, specifically, these problematic essentialized notions that deny the complexities and fluidity of race.