Portal de Periódicos da CAPES

Postmodernist Quietism in Polanski's Chinatown and Lynch's Mulholland Drive

2009; Wiley; Volume: 42; Issue: 4 Linguagem: Inglês

10.1111/j.1540-5931.2009.00700.x

1540-5931

Stephen N. doCarmo,

Media Studies and Communication

The Journal of Popular CultureVolume 42, Issue 4 p. 646-662 Postmodernist Quietism in Polanski's Chinatown and Lynch's Mulholland Drive STEPHEN N. DOCARMO, STEPHEN N. DOCARMO Lehigh UniversitySearch for more papers by this author STEPHEN N. DOCARMO, STEPHEN N. DOCARMO Lehigh UniversitySearch for more papers by this author First published: 03 August 2009 https://doi.org/10.1111/j.1540-5931.2009.00700.xCitations: 1Read the full textAboutPDF ToolsRequest permissionExport citationAdd to favoritesTrack citation ShareShare Give accessShare full text accessShare full-text accessPlease review our Terms and Conditions of Use and check box below to share full-text version of article.I have read and accept the Wiley Online Library Terms and Conditions of UseShareable LinkUse the link below to share a full-text version of this article with your friends and colleagues. Learn more.Copy URL Share a linkShare onEmailFacebookTwitterLinkedInRedditWechat Works Cited Abizadeh, Arash, and Kirsten Ostherr. Amnesia, Obsession, and Cinematic UTurns: On Mulholland Drive. Senses of Cinema 19 (2002). 28 June 2004 〈http://www.sensesofcinema.com/contents/01/19/mulholland_amnesia.html. Chinatown. Dir. Roman Polanski. Perf. Jack Nicholson and Faye Dunaway. Paramount, 1974. Eaton, Michael. Chinatown. London: BFI Publishing, 1997. Galperin, William. ‘Bad for the Glass’: Representation and Filmic Deconstruction in Chinatown and Chan Is Missing. MLN 102 (1987): 1151–70. Garrone, Max, Andy Klein, and Bill Wyman. Everything You Were Afraid to Ask About Mulholland Drive. Salon (October 2001) 〈http://www.salon.com/ent/movies/feature/2001/10/23/mulholland_drive_analysis/index.html〉. Hassan, Ihab. Pluralism in Postmodern Perspective. Critical Inquiry 12 (1986): 503–20. Hawkes, David. Ideology. New York: Routledge, 1996. Hebdige, Dick. Hiding in the Light. London: Routledge, 1988. Jameson, Frederic. Postmodernism, or, the Cultural Logic of Late Capitalism. Durham: Duke UP, 1991. Kenshur, Oscar. Dilemmas of Enlightenment. Berkeley: U of California P, 1993. Le Cain, Maximilian In Dreams: A Review of Mulholland Drive. Senses of Cinema 19 (2002). 18 Feb. 2005. 〈http://www.sensesofcinema.com/contents/01/19/mulholland_dreams.html〉. Lyotard, Jean-Francois. The Postmodern Condition. Trans. Geoff Bennington and Brian Massumi. Minneapolis: U of Minnesota P, 1989. MacCabe, Colin. Realism and the Cinema: Notes on Some Brechtian Theses. Screen 15 (1974): 7–27. McGowan, John. Oedipus at the Movies. Southern Humanities Review 20 (1986): 1–11. Mulholland Drive. Dir. David Lynch. Perf. Justin Theroux, Naomi Watts, and Laura Ellena Harring. Universal, 2002. Pynchon, Thomas. The Crying of Lot 49. New York: Harper & Row, 1986. Schrader, Paul. Notes on Film Noir. Film Genre Reader II. Ed. Barry Keith Grant. Austin: U of Texas P, 1995. 213–26. Shetley, Vernon. Incest and Capital in Chinatown. MLN 114 (1999): 1092–109. Citing Literature Volume42, Issue4August 2009Pages 646-662 ReferencesRelatedInformation