Conventions and the Production of the Popular Music Aesthetic
1982; Wiley; Volume: 16; Issue: 2 Linguagem: Inglês
10.1111/j.0022-3840.1982.00100.x
ISSN1540-5931
Autores Tópico(s)Musicology and Musical Analysis
ResumoThe Journal of Popular CultureVolume 16, Issue 2 p. 100-115 Production of Popular Culture Conventions and the Production of the Popular Music Aesthetic Edward R. Kealy, Edward R. Kealy Edward R. Kealy teaches sociology at University College, Rutgers—Newark in New Jersey. He is also a federal program administrator for the Bayonne City School District.Search for more papers by this author Edward R. Kealy, Edward R. Kealy Edward R. Kealy teaches sociology at University College, Rutgers—Newark in New Jersey. He is also a federal program administrator for the Bayonne City School District.Search for more papers by this author First published: Fall 1982 https://doi.org/10.1111/j.0022-3840.1982.00100.xCitations: 12AboutPDF ToolsRequest permissionExport citationAdd to favoritesTrack citation ShareShare Give accessShare full text accessShare full-text accessPlease review our Terms and Conditions of Use and check box below to share full-text version of article.I have read and accept the Wiley Online Library Terms and Conditions of UseShareable LinkUse the link below to share a full-text version of this article with your friends and colleagues. Learn more.Copy URL References Albert, H. & Albert R. (1973) “Recording Stephen Stills at Criteria Recording Studios, Miami, Florida. Recording engineer/producer 4 (1): 11– 13. Becker, H.S. (1978) “Arts and crafts,”Amer. J. of Soc. 83 (Jan.): 862– 889. Becker, H.S. (1974) “Art as collective action. Amer. Soc. Rev. 39 (Dec.): 767– 776. Becker, H.S. 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