Artigo Revisado por pares

Symbiotic Interaction Between Black Farmers and South-Eastern San: Implications for Southern African Rock Art Studies, Ethnographic Analogy, and Hunter-Gatherer Cultural Identity

1996; University of Chicago Press; Volume: 37; Issue: 2 Linguagem: Inglês

10.1086/204492

ISSN

1537-5382

Autores

Pieter Jolly,

Tópico(s)

Anthropological Studies and Insights

Resumo

Previous articleNext article No AccessCultural Representation and the Methodology of Close Reading in ArchaeologySymbiotic Interaction Between Black Farmers and South-Eastern San: Implications for Southern African Rock Art Studies, Ethnographic Analogy, and Hunter-Gatherer Cultural IdentityPieter JollyPieter Jolly Search for more articles by this author PDFPDF PLUS Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinkedInRedditEmail SectionsMoreDetailsFiguresReferencesCited by Current Anthropology Volume 37, Number 2Apr., 1996 Sponsored by the Wenner-Gren Foundation for Anthropological Research Article DOIhttps://doi.org/10.1086/204492 Views: 42Total views on this site Citations: 39Citations are reported from Crossref Copyright 1996 The Wenner-Gren Foundation for Anthropological ResearchPDF download Crossref reports the following articles citing this article:Thembi Russell Symbolic kraals: Subterranean food stores, hidden wealth and ethnographic errors, Journal of Social Archaeology 22, no.33 (Aug 2022): 317–337.https://doi.org/10.1177/14696053221117467Tim Forssman An Archaeological Contribution to the Kalahari Debate from the Middle Limpopo Valley, Southern Africa, Journal of Archaeological Research 30, no.33 (Jun 2021): 447–495.https://doi.org/10.1007/s10814-021-09166-0Lara Mallen, David Pearce, Charles Arthur, Peter Mitchell The Rock Arts of Metolong: Paintings, Archaeology and Cultural Resource Management in Western Lesotho, Journal of African Archaeology 84 (Jun 2022): 1–26.https://doi.org/10.1163/21915784-bja10017David M. Witelson The Many Meanings of “Integration”: Some Thoughts on Relating Rock Art and Excavated Archaeology in South Africa, African Archaeological Review 39, no.22 (Mar 2022): 221–240.https://doi.org/10.1007/s10437-022-09478-6Rachel King, Adelphine Bonneau, David Pearce ‘They are all dead that I could ask’: Indigenous Innovation and the Micropolitics of the Field in Twentieth-century Southern Africa, Cambridge Archaeological Journal 32, no.11 (Jul 2021): 137–152.https://doi.org/10.1017/S0959774321000378Andrew Skinner ‘Things of the outside teach me’: identity transfer and contextual transformation as expressions of persistent, syncretic cosmology in traditional spiritual and medicinal practice in the south-central Maloti-Drakensberg, southern Africa, Azania: Archaeological Research in Africa 57, no.11 (Mar 2022): 121–146.https://doi.org/10.1080/0067270X.2022.2047532Marek Nowak Different Paths of Neolithisation of the North-Eastern Part of Central Europe, Open Archaeology 7, no.11 (Dec 2021): 1582–1601.https://doi.org/10.1515/opar-2020-0214Justin Bradfield, Andrew C. Kitchener, Michael Buckley, Julien Louys Selection preferences for animal species used in bone-tool-manufacturing strategies in KwaZulu-Natal, South Africa, PLOS ONE 16, no.44 (Apr 2021): e0249296.https://doi.org/10.1371/journal.pone.0249296Mathias Guenther (S)animism and Other Animisms, (Aug 2019): 105–153.https://doi.org/10.1007/978-3-030-21186-8_6Justin Bradfield, Tim Forssman, Luke Spindler, Annie R. Antonites Identifying the animal species used to manufacture bone arrowheads in South Africa, Archaeological and Anthropological Sciences 11, no.66 (Aug 2018): 2419–2434.https://doi.org/10.1007/s12520-018-0688-5Rachel King ‘Waste-howling wilderness’: The Maloti-Drakensberg as Unruly Landscape, (Jun 2019): 31–69.https://doi.org/10.1007/978-3-030-18412-4_2Benjamin Smith The last hunter-gatherers of China and Africa: A life amongst pastoralists and farmers, Quaternary International 489 (Sep 2018): 121–129.https://doi.org/10.1016/j.quaint.2016.11.035Hugo Pinto, Will Archer, David Witelson, Rae Regensberg, Stephanie Edwards Baker, Rethabile Mokhachane, Joseph Ralimpe, Nkosinathi Ndaba, Lisedi Mokhantso, Puseletso Lecheko, Sam Challis The Matatiele Archaeology and Rock Art (MARA) Program Excavations: The Archaeology of Mafusing 1 Rock Shelter, Eastern Cape, South Africa, Journal of African Archaeology 84 (Aug 2018).https://doi.org/10.1163/21915784-20180009Ananyo Choudhury, Michèle Ramsay, Scott Hazelhurst, Shaun Aron, Soraya Bardien, Gerrit Botha, Emile R. 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Pepper Whole-genome sequencing for an enhanced understanding of genetic variation among South Africans, Nature Communications 8, no.11 (Dec 2017).https://doi.org/10.1038/s41467-017-00663-9Brent Sinclair-Thomson, Sam Challis The ‘bullets to water’ belief complex: a pan-southern African cognate epistemology for protective medicines and the control of projectiles, Journal of Conflict Archaeology 12, no.33 (Jun 2018): 192–208.https://doi.org/10.1080/15740773.2017.1487122John Kinahan The Dancing Kudu: women's initiation in the Namib Desert during the second millennium AD, Antiquity 91, no.358358 (Aug 2017): 1043–1057.https://doi.org/10.15184/aqy.2017.48RACHEL KING, SAM CHALLIS THE ‘INTERIOR WORLD’ OF THE NINETEENTH-CENTURY MALOTI-DRAKENSBERG MOUNTAINS, The Journal of African History 58, no.22 (Jun 2017): 213–237.https://doi.org/10.1017/S0021853716000700Jeremy C. Hollmann Allusions to Agriculturist Rituals in Hunter-Gatherer Rock Art? eMkhobeni Shelter, Northern uKhahlamba-Drakensberg, KwaZulu-Natal, South Africa, African Archaeological Review 32, no.33 (Sep 2015): 505–535.https://doi.org/10.1007/s10437-015-9197-4William F. Ellis Ons is Boesmans : commentary on the naming of Bushmen in the southern Kalahari, Anthropology Southern Africa 38, no.1-21-2 (Jul 2015): 120–133.https://doi.org/10.1080/23323256.2015.1056314Gloria Borona, Emmanuel Ndiema Merging research, conservation and community engagement, Journal of Cultural Heritage Management and Sustainable Development 4, no.22 (Nov 2014): 184–195.https://doi.org/10.1108/JCHMSD-04-2013-0012Sam Challis, Jeremy Hollmann, Mark McGranaghan ‘Rain snakes’ from the Senqu River: new light on Qing's commentary on San rock art from Sehonghong, Lesotho, Azania: Archaeological Research in Africa 48, no.33 (Sep 2013): 331–354.https://doi.org/10.1080/0067270X.2013.797135Simone Brunton, Shaw Badenhorst, Maria H. Schoeman Ritual fauna from Ratho Kroonkop: a second millennium AD rain control site in the Shashe-Limpopo Confluence area of South Africa, Azania: Archaeological Research in Africa 48, no.11 (Mar 2013): 111–132.https://doi.org/10.1080/0067270X.2012.759691 Bibliography, (Sep 2012): 527–575.https://doi.org/10.1002/9781118305492.biblioI. G. Simmons Environments, Ecologies, and Cultures across Space and Time, (Sep 2012): 141–155.https://doi.org/10.1002/9781118305492.ch9Rachel King Teaching Archaeological Pasts in South Africa: Historical and Contemporary Considerations of Archaeological Education, Archaeologies 8, no.22 (Sep 2012): 85–115.https://doi.org/10.1007/s11759-012-9202-3María Cruz Berrocal Analogical Evidence and Shamanism in Archaeological Interpretation: South African and European Palaeolithic Rock Art, Norwegian Archaeological Review 44, no.11 (Jun 2011): 1–20.https://doi.org/10.1080/00293652.2011.572672Benjamin W. Smith Envisioning San History: Problems in the Reading of History in the Rock Art of the Maloti-Drakensberg Mountains of South Africa, African Studies 69, no.22 (Jul 2010): 345–359.https://doi.org/10.1080/00020184.2010.499205John Parkington, Simon Hall The Appearance of Food Production in Southern Africa 1,000 to 2,000 Years Ago, (Nov 2009): 63–111.https://doi.org/10.1017/CHOL9780521517942.003Simon Hall Farming Communities of the Second Millennium: Internal Frontiers, Identity, Continuity and Change, (Nov 2009): 112–167.https://doi.org/10.1017/CHOL9780521517942.004Francisco Gallardo Social interaction and rock art styles in the Atacama Desert (northern Chile), Antiquity 83, no.321321 (Jan 2015): 619–633.https://doi.org/10.1017/S0003598X00098872Frans E. Prins Secret San of the Drakensberg and their rock art legacy, Critical Arts 23, no.22 (Jul 2009): 190–208.https://doi.org/10.1080/02560040903016917Peter Mitchell, Ina Plug, Geoff Bailey, Stephan Woodborne Bringing the Kalahari debate to the mountains, Before Farming 2008, no.22 (Jan 2008): 1–22.https://doi.org/10.3828/bfarm.2008.2.4Geri Augusto Knowledge free and ‘unfree’: Epistemic tensions in plant knowledge at the Cape in the 17 th and 18 th centuries1, International Journal of African Renaissance Studies - Multi-, Inter- and Transdisciplinarity 2, no.22 (Nov 2007): 136–182.https://doi.org/10.1080/18186870701751673Pieter Jolly Before farming? Cattle kept and painted by the southeastern San, Before Farming 2007, no.44 (Jan 2007): 1–29.https://doi.org/10.3828/bfarm.2007.4.2Anne Solomon Roots and revolutions: a critical overview of early and late San rock art research, Afrique & histoire vol. 6, no.22 (Sep 2006): 77–110.https://doi.org/10.3917/afhi.006.0077Emmanuelle Olivier Archives Khoisan : l'histoire comme champ de la musique, Afrique & histoire vol. 6, no.22 (Sep 2006): 195–224.https://doi.org/10.3917/afhi.006.0195Janette Deacon South African rock art, Evolutionary Anthropology: Issues, News, and Reviews 8, no.22 (Jan 1999): 48–64.https://doi.org/10.1002/(SICI)1520-6505(1999)8:2<48::AID-EVAN4>3.0.CO;2-9Peter J. Mitchell Holocene later stone age hunter-gatherers south of the Limpopo River, Ca. 10,000-2000 B.P., Journal of World Prehistory 11, no.44 (Dec 1997): 359–424.https://doi.org/10.1007/BF02220555Sven Ouzman, Lyn Wadley A history in paint and stone from Rose Cottage Cave, South Africa, Antiquity 71, no.272272 (Jan 2015): 386–404.https://doi.org/10.1017/S0003598X00084994

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