Naturalism in the European Novel: New Critical Perspectives
1994; Johns Hopkins University Press; Volume: 11; Issue: 4 Linguagem: Inglês
10.2307/3190122
ISSN1549-3377
Autores Tópico(s)Shakespeare, Adaptation, and Literary Criticism
ResumoPart 1 Poetics: the nature of naturalism, David Baguley the naturalist text and the problem of reference, Philippe Hamon towards an aesthetic of the naturalist novel, Yves Chevrel the genesis of novelistic space: Zola's La Bete Humaine, Henri Mitterand writing history as temporality: Zola's Rougon-Macquart, James H. Reid. Part 2 Reception: the reception of naturalism in Germany, Joseph Jurt the reception of naturalism in Spain, Eamonn Rodgers Emilio Pardo Bazan - narrative strategies and the critique of naturalism, Maurice Hemingway naturalism and anti-naturalism in Italy, Jonathan Smith representing the real - the English debate about naturalism 1884-1900, Lyn Pykett. Part 3 Texts: on monstrous birth - Leopoldo Alas's La Regenta, Noel Valis in the factory - description in Galdos, Peter A. Bly Thomas Mann's Buddenbrooks - the first and only naturalist novel in Germany, Lilian Furst James's lady and Zola's whore - the inscription of the heroine in the text in The Portrait of a Lady and Nana, Valerie Minogue.
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