Baroque in England
1964; University of Chicago Press; Volume: 61; Issue: 3 Linguagem: Inglês
10.1086/389612
ISSN1545-6951
Autores Tópico(s)Historical Art and Culture Studies
ResumoPrevious articleNext article No AccessBaroque in EnglandMario PrazMario Praz Search for more articles by this author PDFPDF PLUS Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinkedInRedditEmail SectionsMoreDetailsFiguresReferencesCited by Modern Philology Volume 61, Number 3Feb., 1964Seventeenth-Century Essays in Honor of George Williamson Article DOIhttps://doi.org/10.1086/389612 Views: 13Total views on this site Citations: 34Citations are reported from Crossref Copyright 1964 The University of ChicagoPDF download Crossref reports the following articles citing this article:Gilmar Fernandes do Prado, Luciane Bizari Coin de Carvalho, Karla Carlos, Lucila Bizari Fernandes do Prado Síndrome das Pernas Inquietas e a estética barroca, Revista Neurociências 22, no.33 (Sep 2014): 410–417.https://doi.org/10.34024/rnc.2014.v22.8080Lois Parkinson Zamora Eccentric Periodization: Comparative Perspectives on the Enlightenment and the Baroque, PMLA/Publications of the Modern Language Association of America 128, no.33 (Oct 2020): 690–697.https://doi.org/10.1632/pmla.2013.128.3.690Lois Parkinson Zamora, Monika Kaup Introduction, (Jan 2010): 1–35.https://doi.org/10.1215/9780822392521-001Friedrich Nietzsche “On the Baroque” (1878), (Jan 2010): 44–45.https://doi.org/10.1215/9780822392521-002Heinrich Wölfflin Excerpt from the Introduction to Principles of Art History, (Jan 2010): 49–54.https://doi.org/10.1215/9780822392521-003Walter Benjamin Excerpts from The Origin of German Tragic Drama (1928), (Jan 2010): 59–74.https://doi.org/10.1215/9780822392521-004 Excerpts from “The Debate On the Baroque in Pontigny” (1935), (Jan 2010): 78–92.https://doi.org/10.1215/9780822392521-005 Excerpts from “The Concept of Baroque in Literary Scholarship” (1945, Rev. 1962), (Jan 2010): 95–114.https://doi.org/10.1215/9780822392521-006 “Baroque in England” (1960), (Jan 2010): 119–135.https://doi.org/10.1215/9780822392521-007 Chapter 2 from La Folie Du Voir , “The Work of the Gaze” (1986), (Jan 2010): 140–157.https://doi.org/10.1215/9780822392521-008 Excerpt from “Savoring Góngora” (1928), (Jan 2010): 165–178.https://doi.org/10.1215/9780822392521-009 Chapter 1 from Redescubrimiento de América En El Arte , “America's Relation to Europe in the Arts” (1936), (Jan 2010): 183–197.https://doi.org/10.1215/9780822392521-010 “The Baroque in America” (1940), (Jan 2010): 200–208.https://doi.org/10.1215/9780822392521-011 Chapter 2 from La Expresión Americana , “Baroque Curiosity” (1957), (Jan 2010): 212–240.https://doi.org/10.1215/9780822392521-012 “The City of Columns” (1964), (Jan 2010): 244–258.https://doi.org/10.1215/9780822392521-013 Excerpt from “Questions concerning the Contemporary Latin American Novel” (1964), (Jan 2010): 259–264.https://doi.org/10.1215/9780822392521-014 “The Baroque and the Neobaroque” (1972), (Jan 2010): 270–291.https://doi.org/10.1215/9780822392521-015 Chapter 3 from Barroco , “Baroque Cosmology: Kepler” (1974), (Jan 2010): 292–315.https://doi.org/10.1215/9780822392521-016 “The Rule of Anthropophagy: Europe under the Sign of Devoration” (1981), (Jan 2010): 319–340.https://doi.org/10.1215/9780822392521-017 “Góngora in Spanish American Poetry, Góngora in Luso-Brazilian Poetry: Critical Parallels”, (Jan 2010): 343–351.https://doi.org/10.1215/9780822392521-018 “Sor Juana and Luis de Gongora: The Poetics of Imitatio ” (2006), (Jan 2010): 352–393.https://doi.org/10.1215/9780822392521-019 “American Baroque Histories and Geographies From Sigüenza Y Góngora and Balbuena to Balboa, Carpentier, and Lezama”, (Jan 2010): 394–414.https://doi.org/10.1215/9780822392521-020 “Baroque Quixote: New World Writing and the Collapse of the Heroic Ideal”, (Jan 2010): 415–449.https://doi.org/10.1215/9780822392521-021 “Baroque Self-Fashioning in Seventeenth-Century New France”, (Jan 2010): 450–466.https://doi.org/10.1215/9780822392521-022Leo Cabranes-Grant “The Fold of Difference: Performing Baroque and Neobaroque Mexican Identities”, (Jan 2010): 467–484.https://doi.org/10.1215/9780822392521-023Gonzalo Celorio Chapter 2 from Ensayo de Contraconquista, “From the Baroque to the Neobaroque” (2001), (Jan 2010): 487–507.https://doi.org/10.1215/9780822392521-024Irlemar Chiampi Chapter 1 from Barroco Y Modernidad , “The Baroque at the Twilight of Modernity” (2000), (Jan 2010): 508–528.https://doi.org/10.1215/9780822392521-025Carlos Fuentes “The Novel as Tragedy: William Faulkner” (1970), (Jan 2010): 531–553.https://doi.org/10.1215/9780822392521-026Roberto González Echevarría “Góngora's and Lezama's Appetites” (1978), (Jan 2010): 554–570.https://doi.org/10.1215/9780822392521-027Maarten van Delden “Europe and Latin America in Jose Lezama Lima”, (Jan 2010): 571–596.https://doi.org/10.1215/9780822392521-028Christopher Winks “Seeking a Cuba of the Self: Baroque Dialogues between Jose Lezama Lima and Wallace Stevens”, (Jan 2010): 597–621.https://doi.org/10.1215/9780822392521-029Édouard Glissant “Concerning a Baroque Abroad in the World” (1990), (Jan 2010): 624–626.https://doi.org/10.1215/9780822392521-030 Bibliography, (Jan 2010): 627–644.https://doi.org/10.1215/9780822392521-031Sarah Covington Wounds of the Soul, (Jan 2009): 145–174.https://doi.org/10.1057/9780230101098_6
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