Comrade Ohr: Ideal Craftsman and American Socialist
2014; Taylor & Francis; Volume: 7; Issue: 2 Linguagem: Inglês
10.2752/174967814x13990281228369
ISSN1749-6780
Autores Tópico(s)Art History and Market Analysis
ResumoAbstractGeorge Ohr (1856–1918) is known for his violently manipulated pots, striking physical presence and brazen style of writing. Despite his forthright demeanor, very little is known about his life, philosophies and beliefs. Scholarly speculation has often painted him as a simplified and isolated genius. However, he was very aware of the political, social, and cultural events unfolding around him. Using Ohr's own words and actions, combined with newly discovered evidence, this article explores his context, in particular his relationship to American socialism and the ideals of William Morris, and the Arts and Crafts Movement.Socialism in the United States was a varied thread of conflicting ideas, all united by the desire to counteract the corruption and unfair distribution of wealth that had developed in the United States in the latter part of the nineteenth century. Rather than seizing on socialist politics, Ohr was drawn to the compassion inherent in the theory.Viewing Ohr's works, words and behaviors in this way suggests a kinship with the ideals of William Morris. While contemporary potteries failed to successfully apply Morris' directives, Ohr in his unique approach was closest to leading the life of fulfilled laborer that Morris insisted was the key to socialism's success.Ohr's deformed and disfigured pottery can be read as expressions of his spiritual and social philosophy. Their creation embodies ideals of craftsmanship and also lays bare the conflicting duality in nature—its grotesquerie and beauty. Ohr's pottery and working practices attest to his belief in this component of socialism.Keywords: George OhrBiloxiSumner RosesocialismJ. K. WaylandGrander AgeAppeal to ReasonWilliam Morris
Referência(s)